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Left the Light On
Nyvera
Verified Artist
Nyvera
Hailing from New York, Nyvera encapsulates the transformative power of music with a voice steeped in soulful resonance and a past rooted in the rich traditions of church choirs. With tracks like "Left the Light On," a gritty yet uplifting dance anthem, she blends her deep alto with slick house production elements, creating a sound that pays homage to her origins while exploring new secular territories. The song is a reflection on waiting and hope, echoing sentiments of bittersweet nostalgia through its whispering Rhodes loops and dusty string samples that evoke a warm, organic feel reminiscent of classic disco.
A few years into her career, Nyvera has built a dedicated following in the vibrant Amsterdam music scene, playing at venues like De School and collaborating with local producers on energetic tracks that inspire both dancing and introspection. Her catalog showcases an evolution where secular explorations retain the emotional depth of her roots. The analog warmth of her productions, filled with vinyl crackles and fat bass lines, invites listeners to lose themselves on the dance floor while connecting with the poignant stories woven into each melody. As she continues to tour and connect with fans, Nyvera’s journey reflects a commitment to authenticity and an unwavering belief in music’s ability to light the way forward.
Left the Light On
Nyvera
(I left the light on)
You said you'd call me when you landed
Two Novembers came and went
I stopped putting the good plates out
But I never moved the bed
It's not a promise it's a habit
It's not waiting it's just how I live
I left the light on
Not because I think you're coming
I left the light on
So I don't come home to nothing
And if that's you at the door one day
I won't pretend I didn't hope
But I left the light on for me
Not for you
(left it on left it on)
Your mother still sends me a birthday card
I still write her back in June
Some people don't leave all at once
They leave a room at a time
I left the light on
Not because I think you're coming
I left the light on
So I don't come home to nothing
And if that's you at the door one day
I won't pretend I didn't hope
But I left the light on for me
Not for you
I'm not the girl who's holding out
I'm the one who's holding up
There's a difference and it took me
Every winter to learn it
I left the light on
Not because I think you're coming
I left the light on
So I don't come home to nothing
And if that's you at the door one day
I won't pretend I didn't hope
But I left the light on for me
Not for you
I left the light on for me
(left it on left it on)
CREDITS
Performer: Nyvera
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Albion
Erik Lindholm
Verified Artist
Erik Lindholm
Swedish born and dance-floor dominator, Erik Lindholm, boasts a temperament as lively as his pulsating bass lines. His sonic sensibilities, threaded through every groove in his heart-thumping dance maestro, are as intriguing as the tale of his journey to the top of the beat kingdom.
Raised in the heart of Gothenburg, Lindholm's coming-of-age could be likened to a groovy scandi-noir episode spiced with Abba tracks. His gruff but supportive Fishmonger father, Olaf, served up his son's first taste of rhythm with the flick of his filleting knife, while his samba-loving mother, Ingrid, nurtured his love for infectious cadence. Schooldays were filled with misadventures involving tin-can drum sets, impromptu corridor concerts, and confiscated mixtapes. Bet his bemused math teacher never guessed this rebel with a cause would rise as a dance music sovereign.
Advertising his outright refusal to be pigeonholed, Lindholm's "Albion" is more than an axiom of his sound, it's a representation of his relentless pursuit of reinvention. This dance-infused ode to joy, shimmers with synths, pulsates with kinetic beats and is as intoxicating as a round of round-the-clock-midsummer-Swedish-sunshine. It's a rollicking auditory journey aptly capturing his carpe diem approach to making people move and groove.
Erik Lindholm's music vividly paints a colorful backdrop of effervescent vibes and infectious enthusiasm. And while we could end this with something delightfully corny like, "this Scandinavian sensation is dancing to the beat of his own drum machine," let's leave it at this - Lindholm lives to make hearts thump in sync with his beats, and folks, he sure succeeds.
Albion
Erik Lindholm
Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead
In a dead world why do great times feel so silent
Over ripped sheet music why do doormen wear rags
On the Pavonia sewers why do women in love
Feel so dead in a dead world
Where Albion is silent where Albion is silent
Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead
Why is our pretty nurse standing there
Why that sorry expression on the face of her lover
So I spake to him of womankind
I said here council's floral it svours like the thyme
He said
How could you blame me when I told you it was her
I said
And we know the truth
You're a lover like your father
Later in the painting room as Ripper's painting light
Comes the lover placed by my hand
On the canvas of our wedding night
There a similitude derues your lover's blush tonight
As her florescent eyes explore mine
So remember even flowers are suseptible to night
CREDITS
Performer: Erik Lindholm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Auditions
Amae Korr
No Auditions
Amae Korr
Side door
No line
No wristband
I’m already mine
Didn’t wear silver to be seen
Didn’t ask the night to be clean
Walked in crooked — stayed aligned
What’s not lit still gets defined
I don’t wait for cues
I don’t nod I move
No auditions
This role’s been filled
I don’t rehearse
I just build
Don’t need lines
Don’t need praise
I write the room
I set the stage
I don’t chase what’s framed in glass
If it cracks I let it pass
My rhythm folds then breaks the grid
Truths don’t scream — they stay hid
Lights don’t lead
I choose my scene
No auditions
This role’s been filled
I don’t rehearse
I just build
Don’t need lines
Don’t need praise
I write the room
I set the stage
Spotlight blinks
But I don’t bow
I was the plot
You just see it now
No auditions
No design
I don’t perform
I define
Don't need signs
Don't need doors
I walk through
And build the floor
CREDITS
Performer: Amae Korr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Through the Static
Tyler Jorvik
Through the Static
Tyler Jorvik
CREDITS
Performer: Tyler Jorvik
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Phase Meridian
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Phase Meridian
Wires and Petals
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire in the Open Air
James Rolly
Verified Artist
James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.
It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”
By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.
Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Fire in the Open Air
James Rolly
I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”
But I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand
And I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
And I move…
I move with the rhythm
CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Closer to Your Rhythm
Milo Dray
Verified Artist
Milo Dray
Milo Dray is a Toronto-based pop artist whose musical journey began in the vibrant warehouse party circuit, where he and a tight-knit group of fifty regulars would gather to dance the night away. It was during one of these late-night gatherings that Milo first noticed the magnetic connection between music and movement, capturing moments that feel both intimate and expansive. His track "Closer to Your Rhythm" exemplifies this energy, with lyrics that echo the bittersweet thrill of attraction and the simple sparks that draw people together. Born from nights of camaraderie and emotion, his songs resonate with themes of hope and inspiration, inviting listeners to embrace the uplifting power of connection.
With a catalog that remains within a respected niche, Milo's sound is characterized by its ability to merge happy melodies with poignant undertones, creating an emotional tapestry that reflects both celebration and introspection. His work often draws on memories of those early parties where every heartbeat felt synchronized to the music, echoing sentiments like “the whole room shifts” when someone special walks in. The journey from an unreleased track shared among DJs for two years to his current acclaim illustrates the authenticity behind his artistry. Each song serves as a testament to those moments of vulnerability, making Milo Dray not just an artist but a storyteller who invites you to find your rhythm alongside him.
Closer to Your Rhythm
Milo Dray
You walk in the whole room shifts
Every heartbeat leans to your lips
No drama just that simple spark
Like streetlights waking up the dark
I’ve been looking for a reason
To let my guard fall for a minute
And the way you move is speaking
In a language with you in it
I don’t need a thousand signs
Just one look and I know the line
’Cause you pull me closer to your rhythm
Like we’re dancing on a pulse we both believe in
No rush no pressure just a feeling
That keeps on rising rising
Yeah you pull me closer to your rhythm
And suddenly the night feels like it’s listening
If love is just a moment then I’m in it —
You pull me closer to your rhythm
Your laugh hits like a gentle beat
Pulls me right into your gravity
No games here only clarity
Like we found our own frequency
I’m not trying to overthink it
Let the moment be the meaning
If the world stops for a second
Let it stop right here I’m breathing
I don’t need a thousand signs
Just one touch and the rest aligns
’Cause you pull me closer to your rhythm
Like we’re dancing on a pulse we both believe in
No rush no pressure just a feeling
That keeps on rising rising
Yeah you pull me closer to your rhythm
And suddenly the night feels like it’s listening
If love is just a moment then I’m in it
You pull me closer to your rhythm
Maybe this is something real
Maybe this is how it starts
Two hearts falling into time
Moving steady in the dark
You pull me closer to your rhythm
Every breath in sync the world is shifting
No rush no pressure just a feeling
That keeps on rising rising
Yeah you pull me closer to your rhythm
And suddenly the night feels like it’s listening
If love is just a moment then I’m in it
You pull me closer to your rhythm
CREDITS
Performer: Milo Dray
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Strong City Woman
Viktoria Klein
Verified Artist
Viktoria Klein
Meet Viktoria Klein - the voice that's spreading joy across the alternative music scene with her infectious killer hooks and luminous personality. With her hit track "Strong City Woman" tearing up playlists, she's quickly becoming an essential fixture in the world of independent music.
Viktoria's journey to alt-pop goddess was anything but ordinary. As the story goes, she used to croon to sheep in her grandma's Yorkshire farm, using a pitchfork as a microphone- the sheep sure as hell didn't mind the free gig! This unorthodox "tour" harnessed her melodious chops, and the rolling English countryside became the stage where she honed what is now touted as "cripplingly delightful" tunes.
Klein's music mourns none and pleases many. Her "happy" mode of operation disguises the edgy undertone of her sound, striking a perfect chord between sunny optimism and biting realism. Listening to her tunes, you'll feel like you've been let in on a secret club - the kind that serves tequila at breakfast and sees exposed brick as the height of interior design. Each strum, every beat feels like Viktoria is sharing a personal punch-line; you practically hear her ironic chuckle as you navigate her audial landscape.
It’s near impossible to walk away from a Viktoria Klein track without a spring in your step or, at the very least, a glazed look of contentment. The alternative scene may be awash with talent but no one quite offers the Viktoria Klein experience – a merry romanticism that leaves heartache outside the nightclub door, making sure your ears are filled with nothing but good times. Watch out world, there’s a new 'Strong City Woman' in town!
Strong City Woman
Viktoria Klein
Closet full of dancing shoes God knows
Probably got the same tattoo somewhere
Dark roots on her light blue born with
Fire in the eyes like you but rules
There are rocks made from paper and
Statues that move
And there’s nothing wrong in her world
If she says it’s true
There are dove feathered angels
without wings who fly she let them
And a strong city woman
who can’t be confined not loveless
In six weeks there’s a new routine mapped out
Confetti and the sacred dark marked down
Fire is a cleansing bark without rules
You are starting in your light blue fire
Dancing over quicksand tides right now
In the light of your eyes
You’re about to delve in
Let yourself feel power
Your love is wealth you’re flying
You can’t be made outlawed
The city that you built
didn’t need doors in the first place
Use the grass in the fields
out there for your campsite
Maybe later you’ll be needed
back on the home base
Walls don’t mean anything
under the birdlines
Strong woman can’t be confined not loveless
CREDITS
Performer: Viktoria Klein
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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