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I’m The Lighter
Elira Vayne

Verified Verified Artist

Elira Vayne
With a name synonymous with the hauntingly beautiful waters of Ohrid, North Macedonia, Elira Vayne is your go-to dance diva with a twist. Part French, part Albanian, and 100% maverick, Vayne gives dance music a refreshing Balkan edge.

Born to the lullaby of a mandolin on Ohrid's shores, Elira was raised with the zest of Albania and the charm of France running through her veins. As if algae-ridden waters and sun-lit picnic spots out of posters whispered into her ears, everyone wondered, "Does Ohrid govern the sounds she creates?" And in a quaint voice, she would almost always blush and say, "Mais oui, and a bit of Marseille jazz too."

By the time teenage took over, the rhythm of the mandolin turned to jazz in the pulsating heart of Marseille. There, in a music sklearnamediciabacked alley bistro turned vocal studio, she trained some more in the gallant art of French jazz vocals. Little did she know that her cultural potpourri would give birth to a new music sensation: the vivacious tones of French Electronica blended with raw Balkan folklore.

Never leaving her roots far behind, each album cover of Elira's embroiders a rich tapestry of Balkan texture. In contrast, her songs hum with the vibe of French electronic dance music, mostly with her biggest hit yet, "I'm The Lighter". You can feel the happy energy as potent as the Ohrid sun, making her music a cocktail of infectious melodies under the umbrella contract of Filodyo. And quite frankly, it's this sun-soaked, high spirited party in the Byzantines' backyard that sets Elira Vayne on a league above your usual dance floor DJs.
Track(s)
I’m The Lighter 4850 02:30

I’m The Lighter

Elira Vayne



Cracked screen no calls today
Left the charger on the train
They said time would wash it out
But my clock’s been playing games

Can’t decode your morse-like moods
Every tone’s a sharp excuse
I lit fires you never saw
Guess it’s time to cut it loose

Let me breathe without your shadow (ah)
Every step I’m climbing higher (yeah)
Didn’t fold didn’t borrow
I’m the spark I’m the lighter
(wooh ay-ay let it burn)

Calendar full of crossed-out plans
Turned the silence into stance
No parade no grand goodbyes
But I danced inside the crash

Used to bend till I dissolved
Now I sculpt from where I broke
This new world don’t need your laws
I evolve and I revoke

Let me breathe without your shadow (mmm)
Every step I’m climbing higher (uh)
Didn’t fold didn’t borrow
I’m the spark I’m the lighter
(yeah-yeah wooh let it burn)

Ooh-ohh ohh
No more codes to crack
I’m off this map

CREDITS
Performer: Elira Vayne
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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La Sabiduria Callej...
Dos Latinos

Verified Verified Artist

Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

La Sabiduria Callejera (2026 version)

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Chasing The Rhythm
Nana Bear

Verified Verified Artist

Nana Bear
Surviving on honeycomb cereal and iced coffee, Nana Bear is a dance-obsessed maestro from the city of the Grizzlies: Memphis, Tennessee. Conquering every beat with unabated joy, this indie artist possesses an unmatched ability to tickle your serotonin receptors!

Spending her days daydreaming in Elvis Presley's birthplace turned her into a storyteller with rhythm in her veins. Nana Bear’s journey weaves a tale of a wistful girl who tamed the wild heartbeats of Memphis, transformed them into 'Dance' symphonies, and offered them to the world. All this while under the umbrella of Filodyo, which has given her the freedom to paint her rhythmic dreams on the canvas of life.

"Chasing The Rhythm" is an enchanting melody that best represents Nana Bear; it’s as if she's inviting you to a game of tag through a field of beat blossoms, evoking a sense of joy which bubbles up until you're grinning like an imbecile. A crossover between Dirty Dancing and Fun House, her musical offering is like a kaleidoscope of energetic and euphoric sound waves.

Creativity and humor ride shotgun as she explores the multifaceted realms of the dance genre, infusing it with a joyous twinkle that only a Nana Bear can. Armed with unadulterated enthusiasm, Nana Bear serves a musical feast fostering the happiest mood, inviting you to let your guard down and simply embrace the melody. It's impossible not to be swept up in the vibrant current of this supremely gifted Memphis Grizzly.
Track(s)
Chasing The Rhythm 972 03:18

Chasing The Rhythm

Nana Bear


Shadows dance where the skyline bends
Concrete veins with a life that blends
A thousand faces stories collide
Searching for meaning in the great divide

Fingers trace lines on a screen of glass
Moments captured but they never last
Every heartbeat a fragile thread
Holds the weight of words unsaid

We’re chasing the rhythm of a fleeting spark
Lost in the noise but lighting the dark
We build we break we rise we fall
A silent anthem for us all

Breath of dawn paints a fragile hue
Between the old and the sudden new
Dreams dissolve then reappear
Mapping the scars we’ve learned to wear

Waves crash loud on the shores of change
Pulling us closer but the tides rearrange
Every heartbeat a fragile thread
Holds the weight of words unsaid

We’re chasing the rhythm of a fleeting spark
Lost in the noise but lighting the dark
We build we break we rise we fall
A silent anthem for us all

Voices hum in a quiet refrain
Echoes of what we can’t explain
The stars above the ground below
Both hold secrets we’ll never know

And when the ashes fall like snow
Will we learn what we didn’t show?
The past is a mirror the future a flame
We’re reflections playing the same game

We’re chasing the rhythm of a fleeting spark
Lost in the noise but lighting the dark
We build we break we rise we fall
A silent anthem for us all

Fading whispers of where we’ve been
A fragile cycle begins again

CREDITS
Performer: Nana Bear
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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What's Going On (Cl...
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 391 02:15
What's Going On (Clean) 618 02:26
Tales from Harlem 515 03:58

What's Going On (Clean)

Brick Lords


Yes
Way down
Way down
Way down
Way down
Whoo!
Way down
Way down
This a freeway song
We sell work
Bruh
We ain't on "wei chong"
We let 'em die homie
We don't weigh Chong
Way down
Way down
Battle [Allen?]
Way down
Way down
Don't take no breaks

Dawg
Bring them red eyes along
Dawgs 'sleep' on me
I prolly woke they moms
Homies reach on me then that's just close they arms
Way down
Way down
Y'all do this once a month

All my dawgs be trappin' like homies exiting pr-on
I used to play with that heart and made a pocket off strong arm
If I try to be LeBron then I ain't talkin' bout bron-bron [LeBron?]
Why you Qbs playing bond
We wanna salt again
On what?

Uhn
Folding s**t
Origami if you trynna front
Race a stripper booted up and make her come in the front
If I'd a buck on my homie
We'd a been done up the one

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Yeah
Dawgs
We home
Ay yo
Get your girl
Dawgy
E'rybody came
Huh
Get your girl
Dawgy
Monday through Sunday
And I'm going out crazy me
Like 21 7 6 5 4 3
And I'm going off

I said
I was learning my numbers when yugonna stop playing (when you gonna stop playing)
Taking all of this time
Fuh? you're coming with me (you're coming with me)
What you think I'm for

Yes
Babygirl finally reaching on
Like twinkle twinkle
Little star
What you think
Huh
For me?

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Oh
Babydoll finally reached the bottom
And nobody was alarmed
"Babygirl
It ain't that deep"
And now
Now look at the past
And they didn't pray at first

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep the Receipt, S...
Dust Motel

Verified Verified Artist

Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.

They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.

Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Track(s)
Keep the Receipt, Sweetheart 2354 03:54

Keep the Receipt, Sweetheart

Dust Motel


You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band

Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened

You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared

Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”

You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet

I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

“Need a bag?”
“No he came with one”

CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Push. Spin. Go
KRNX

Push. Spin. Go

KRNX



CREDITS
Performer: KRNX
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wire Pulse
Chronovibe

Wire Pulse

Chronovibe



CREDITS
Performer: Chronovibe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Fridge Is Takin...
Funny Harry

Verified Verified Artist

Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.

As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
Track(s)
The Fridge Is Taking Her Side 1092 02:52

The Fridge Is Taking Her Side

Funny Harry


At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started

The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes

I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side

Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two

The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted

I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede

“Did you call her?”
No

“Will you call her?”
No

“Are you lying?”
Next question

“Who are you talking to?”
The refrigerator

Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two

Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil

At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:

“Call”

Mind your own business

At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking

CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I’m Not The One
Sienna Marlowe

Verified Verified Artist

Sienna Marlowe
Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.

Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.

The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.
Track(s)
I’m Not The One 721 03:02
Falling 564 03:44

I’m Not The One

Sienna Marlowe


Told me I’d regret it — guess I forgot
Living like a risk you never got
I’ve been spinning hours into peace
While you watch from your retreat

You sip on rules I drink the rain
You dress your truth in borrowed shame

I’m not the one who’s stuck in place
You paint your fear across my face
But I don’t flinch I don’t explain
I dance through thunder sing through pain
You call it chaos — I call it mine

You hold your breath and wait for grace
I jump first I don't brace
Maps never knew my way
Still I find more than you say

You sip on rules I drink the rain
You dress your truth in borrowed shame

I’m not the one who’s stuck in place
You paint your fear across my face
But I don’t flinch I don’t explain
I dance through thunder sing through pain
You call it chaos — I call it mine

Maybe I’m too much for your quiet
But I’m a riot you won’t forget

Keep your calm and curated days
I’ll be gone in brighter ways

CREDITS
Performer: Sienna Marlowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 1191 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Hold Me Through the...
Ayla Vion

Verified Verified Artist

Ayla Vion
Ayla Vion is an evocative pop artist whose roots in church choirs give her music a sense of hope and uplifting energy, even as she navigates the complexities of modern life. Based in London, Ayla combines the rhythmic pulse of dance and EDM with electronic elements that elevate her introspective lyrics. Her track “Hold Me Through the Fallout” exemplifies this synergy, featuring dreamy melodies and vibrant beats that echo the dichotomy between comfort and chaos in urban living. Amidst bustling streets, her music captures those fleeting moments of stillness and reflection.

Transitioning from a sacred musical background to the world of secular sounds came with both sacrifices and rewards for Ayla. Each song she crafts echoes stories of resilience, marked by the tension between nostalgia and forward momentum. The themes of connection and emotional resonance weave through tracks, revealing a narrative of individuals not only seeking solace but also striving to embrace tomorrow's challenges. This duality resonates with listeners who understand that moving forward sometimes means confronting contrasting memories.

As Ayla continues to carve out her unique niche in the music scene, she leaves an indelible mark on audiences who appreciate her blend of joyous rhythms and contemplative lyrics. With each performance, whether at an intimate venue or a pulsing festival, her aspiration remains clear: to inspire others to find beauty even amidst life's uncertainties. With a growing catalog that reflects both her past experiences and future aspirations, Ayla Vion stands poised to resonate with many more souls searching for light in the fallout.
Track(s)
Hold Me Through the Fallout 1175 03:54

Hold Me Through the Fallout

Ayla Vion


Signals break and drift through empty streets
I’m standing still while the city repeats

Tomorrow feels colder than the things we’ve known
Concrete hums softly like a world overgrown
People move faster but they’re stuck in place
Everything forward yet we’re losing grace

Maybe I’m learning
That silence can warn
Maybe the future
Arrives already worn

Hold me through the fallout
Keep me steady when the noise cuts deep
I don’t fear the unknown
If you’re someone that I get to keep
Hold me through the fallout
Guide me where the fractured roads all meet
I don’t fear the unknown
If we walk it with the same heartbeat

Screens blink stories that no one can trust
Words turn brittle breaking down into dust
Still there’s a compass somewhere in your tone
Pulling me forward when the world feels thrown

Maybe I’m learning
That silence can warn
Maybe the future
Arrives already worn

Hold me through the fallout
Keep me steady when the noise cuts deep
I don’t fear the unknown
If you’re someone that I get to keep
Hold me through the fallout
Guide me where the fractured roads all meet
I don’t fear the unknown
If we walk it with the same heartbeat

When the last wave trembles
I won’t run from the scene
If the future is colder
We can still stay between

CREDITS
Performer: Ayla Vion
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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