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HOT TRACK
The Wrong Daughter
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
The Wrong Daughter
Billie Arden
I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page
There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake
Huh
They said “You’ll understand when you’re older”
So I got older somewhere else
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke
Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag
Huh Small world
Terrible handwriting
She said “Your mother tried her best”
I said “Which one?”
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated
I never asked again
That keeps them nervous
I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails
I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Neverland Exit
SYNR
CREDITS
Performer: SYNR
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Keep the Receipt, S...
Dust Motel
Verified Artist
Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.
They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.
Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Keep the Receipt, Sweetheart
Dust Motel
You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band
Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened
You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared
Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”
You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet
I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
“Need a bag?”
“No he came with one”
CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Borrowed Cutlery
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Borrowed Cutlery
Asha Monroex
You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned
Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared
One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining
Call it defective
Call it a habit with excellent shoes
Call it selective
I call it knowing what not to refuse
Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark
Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way
Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move
You took the spoon
I took the story
Fair enough
You looked less boring
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Desert Frequency
Alia Bergen
Verified Artist
Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.
Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.
In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Desert Frequency
Alia Bergen
Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark
No destination
Only motion
Floating where the bass begins
Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight
Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound
No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder
Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency
CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Under the Moonlight
Santiago Cruzado
Verified Artist
Santiago Cruzado
Santiago Cruzado emerges from the vibrant streets of Seville, where flamenco rhythms intertwine with modern pop sensibilities, creating a sound that is both passionate and playful. His music embodies the spirit of his hometown, with tracks like "Under the Moonlight" radiating warmth and romance. Santiago's lyrical artistry reflects on love and nostalgia, inviting listeners to share in moments suspended in time, where memories dance on the shores of yearning and joy.
Having honed his craft in local clubs, Santiago draws inspiration from the lively scenes that have surrounded him since he was a child. The influence of Spain’s diverse musical heritage seeps into his work, resulting in smooth melodies layered with rich storytelling. His catalog is not just a collection of songs; it features heartfelt narratives woven together by a consistent theme of love’s complexity, making each track a chapter in a larger tale.
As Santiago continues to expand his repertoire, his songs resonate with a hopeful outlook and a romantic essence. Whether it's basking in the gentle glow of "Under the Moonlight" or reflecting on fleeting moments in other upcoming releases, his vocal charm captivates audiences. With each performance, he invites fans to join him on this emotional journey, ensuring that every note played echoes long after the final chord has faded.
Under the Moonlight
Santiago Cruzado
The waves don't ask where you've gone
But they whisper your name till dawn
The fire crackles like your laugh
I sit with silence cut in half
Barefoot in the sand no one around
Just your memory making sound
On this shore by this flame
I trace your smile in the stars again
No phone no light no plan tonight
Just me the tide and soft moonlight
And when your face drifts into view
I breathe a word I saved for you
Your sweater still smells like wind
I wrap it tighter pretend again
The logs fall in the sparks rise high
But nothing burns like your goodbye
I talk to shadows like they're you
Like love could echo if it wanted to
On this shore by this flame
I trace your smile in the stars again
No phone no light no plan tonight
Just me the tide and soft moonlight
And when your face drifts into view
I breathe a word I saved for you
Maybe one day you’ll come back here
Follow the firelight through the fear
But until then I’ll sing to the blue
This lonely word… still meant for you
CREDITS
Performer: Santiago Cruzado
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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City Pulse
Noon After Seoyeon
City Pulse
Noon After Seoyeon
[Intro]
City pulse
Turn it up
시동 걸어
We don’t stop
Late ride clean mood
Windows down smooth groove
No big talk just move
Tonight we choose the view
도로 위에 번진 빛
우리만의 작은 scene
신호가 바뀌면 go
심장은 faster low
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
Black jacket soft bass
Good vibe no waste
I see the city on your face
Every second finds its place
핸들 위에 얹은 손
리듬 따라 가는 선
바람이 지나가면
웃음이 먼저 터져
[Rap]
Okay shift it
밤의 온도 lift it
Too smooth don’t miss it
우리 둘만 fit it
속도는 올라가도
머리는 차갑게 둬
Fun mode control
우린 선을 알고 go
Turn left turn right
작은 길도 feels nice
No noise just style
웃어 봐 one more mile
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
잠깐만 속도를 낮춰
이 순간을 더 봐줘
급하지 않아도 돼
우린 이미 충분해
If you laugh I know
If I smile you know
다음 길이 열리면
다시 올라가 let’s go
[Final Chorus]
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
시동은 켜져
기분은 더 커져
City pulse
We ride we ride
CREDITS
Performer: Noon After Seoyeon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ornamental Collapse
Distant Grammar
Ornamental Collapse
Distant Grammar
CREDITS
Performer: Distant Grammar
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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A Second Sun
Danny De Star
Verified Artist
Danny De Star
Danny De Star: the name sounds like a headline right out of those glitzy Hollywood tabloids, but the origin story of this dance maestro is planted firmly in the heartland. This homebred celestial body hails from a place people rather unlikely expect: the good, ole city of Nashville, Tennessee.
Forget what you thought you knew about the Nashville. Forget about the banjos, the country laments, and the cowboy boots. Danny De Star spins a different tale, and that tale takes rhythm. Keeping the city's core of boundless energy, but rather lighting it up with electronic vibes and killer beats, he's not your typical country bumpkin. He's got his own flavor of star quality.
No track speaks to the De Star spirit more than "A Second Sun". It's a dance crescendo that has you spiralling into a vortex of good vibes. It shines with all the brightness of, well, a second sun. It's all so dramatic and yet so bouncy, enough to catapult your mood into absolute buoyancy.
Endearing, inventive and cheerful as a confetti burst, Danny De Star takes the dance music scene not with a storm, but with a happy beam of light. As that second sun sets on your playlists, remember: the best stars twinkle from unexpected corners—sometimes they're even summoned from a little city in Tennessee.
A Second Sun
Danny De Star
Footsteps linger where rivers bend
The weight we carry begins to mend
Every crack in the earth reveals
The hidden strength that time conceals
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Shadows stretch but cannot stay
We carve a path come what may
With steady hands we shape the stone
This is the place we call our own
Raise your voice the silence fades
We’re the makers of brighter days
Through the storm and through the dust
We’ll rebuild what we entrust
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
No more waiting for a sign
We are the spark the new design
Every heartbeat a drum of change
A rhythm fierce a future unchained
Stillness settles then takes its leave
What we sow we’ll soon believe
With open arms we face the tide
A journey shared side by side
We are more than what we’ve seen
Drawing colors from the gray between
Every fall a chance to rise
A second sun in the open skies
Tomorrow sings in voices clear
A melody we hold so near
Step by step the dawn will show
All we are and all we’ll know
CREDITS
Performer: Danny De Star
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire on the Floor
Zuriq Stone
Verified Artist
Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.
Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.
Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Fire on the Floor
Zuriq Stone
Yeah yeah
Mm listen now
We don’t slow down tonight
Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs
I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Eh eh eh
Move it closer
Eh eh eh
Right here
Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd
No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission
Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Yeah
We don’t slow down
Mm
Africa to the world
CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Etherslip
Celya Thorn
CREDITS
Performer: Celya Thorn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.