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We Had A Better Tim...
Max Donovan
Verified Artist
Max Donovan
Max Donovan is a Los Angeles-based singer-songwriter known for his soulful melodies and evocative storytelling. Born into the heart of Hollywood, Max was surrounded by the entertainment industry from a young age. His father, a dedicated sound and lighting technician named Michael Donovan, spent his life behind the scenes, setting up the intricate systems that brought movies to life. His mother, Elena Pierce, is a seasoned actress who has appeared in several supporting roles in both film and television, adding a touch of on-screen magic to his upbringing.
Growing up amidst the hustle and bustle of film sets, Max developed a deep appreciation for the arts. While his father's tales of the golden days of Hollywood fascinated him, it was the emotional resonance of music that truly captured his heart.
Encouraged by his parents, he began exploring various instruments and writing songs during his teenage years. His family's blend of technical expertise and artistic flair inspired Max to create music that is both thoughtfully composed and deeply personal.
Max's debut single, "We Had A Better Time," is a heartfelt homage to the stories his father shared about the past. The song blends nostalgic lyrics with contemporary acoustic sounds, reflecting on simpler times and the enduring bonds of family.
The track has garnered attention for its sincerity and relatability, marking Max as a promising new voice in the music scene. When he's not in the studio, you might catch Max performing at local venues across LA, carrying on his family's legacy in the entertainment world.
We Had A Better Time (ft Jason Harper)
Max Donovan
I remember LA streets
Cruisin' down Sunset in the haze
Back when life was so sweet
Golden days living through a craze
Music played through the night
We were young felt so right
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
Neon signs and wild dreams
We were kings we ruled the scene
Now it’s not what it seems
Lost the spark the soul the sheen
People now chase empty gold
Trade their hearts lose their hold
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
Yearning for the
Golden days
Those years were gold
Bright and bold
Now stories told
Hearts grown cold
Back then the city had a pulse
a rhythm and a beat
Fast cars big dreams
livin' life on repeat
From the Walk of Fame
to the Venice Beach sands
Every corner every block
magic in our hands
Skateboards on the boulevard
neon lights aglow
Fashion trends music bends
the energy would flow
We were rebels in the night
no chains could hold us back
Now it's shadows of the past
memories we lack
Chasing paper losing soul
where did passion go?
Grit and glory now just stories
lost in hollow glow
Once a city full of life
now it's just a ghost
Echoes of the laughter
it's the past we miss the most
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)
CREDITS
Performer: Max Donovan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still I Rise
Luna y Fuego
Verified Artist
Luna y Fuego
Luna y Fuego is a Miami-born singer and songwriter whose music carries the warmth of the Caribbean, the elegance of Latin romance, and the confidence of modern pop. With a voice that can feel intimate one moment and commanding the next, she creates songs filled with desire, movement, and emotional detail.
Raised between seaside afternoons, family celebrations, and Miami’s multicultural music scene, Luna developed a sound shaped by Latin pop, R&B, bolero, and contemporary dance production. Her performances balance sophistication with natural sensuality, presenting a woman who is magnetic without ever appearing forced.
The name Luna y Fuego reflects the two sides of her character: calm, mysterious, and graceful, yet passionate and impossible to ignore. Whether performing a delicate love song or an energetic late-night track, she brings the same signature quality—romance with confidence, delivered entirely on her own terms.
Still I Rise
Luna y Fuego
The wind has names I’ve learned to fear
But I keep walking year by year
I’ve held my heart with stitched-up hands
Buried truths in foreign lands
Danced alone on broken stone
And built a fire where none had grown
They said I’m done they closed the door
But I’ve been dying long before
Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise
I’ve kissed betrayal’s bitter breath
Slept beside the arms of death
But sorrow taught me how to spin
A rhythm born from deep within
I don’t need a crown of gold
I wear my silence loud and bold
Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise
Don’t tell me how the story ends
I write in steps not with a pen
And every scar I’ve come to own
Beats louder than your stepping stone
Still I rise through thunder and cries
My tears are sharp but they never lie
You can leave you can hide
But I’ve got rhythm on my side
Still I rise… still I rise
CREDITS
Performer: Luna y Fuego
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I’m Not The One
Sienna Marlowe
Verified Artist
Sienna Marlowe
Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.
Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.
The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.
I’m Not The One
Sienna Marlowe
Told me I’d regret it — guess I forgot
Living like a risk you never got
I’ve been spinning hours into peace
While you watch from your retreat
You sip on rules I drink the rain
You dress your truth in borrowed shame
I’m not the one who’s stuck in place
You paint your fear across my face
But I don’t flinch I don’t explain
I dance through thunder sing through pain
You call it chaos — I call it mine
You hold your breath and wait for grace
I jump first I don't brace
Maps never knew my way
Still I find more than you say
You sip on rules I drink the rain
You dress your truth in borrowed shame
I’m not the one who’s stuck in place
You paint your fear across my face
But I don’t flinch I don’t explain
I dance through thunder sing through pain
You call it chaos — I call it mine
Maybe I’m too much for your quiet
But I’m a riot you won’t forget
Keep your calm and curated days
I’ll be gone in brighter ways
CREDITS
Performer: Sienna Marlowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Better With Less
Eli Mercer
Verified Artist
Eli Mercer
Eli Mercer is an acoustic soul-pop singer whose music resonates with warmth and emotional clarity. With a rich, clear voice that conveys both sincerity and introspection, Eli's style is defined by his fingerpicked guitar, soft upright piano, and delicate brushed drums. His song "Better With Less" encapsulates his artistic ethos, inviting listeners into a space where choosing simplicity and connection trumps the chaos of excess. Each element in his arrangements is thoughtfully restrained, allowing the depth of his lyrics to shine through in a way that feels both personal and relatable.
Thematically, Eli's work often revolves around the ideas of time, relationships, and grounding oneself in the present. His songs explore the importance of selecting people and experiences that enrich life, reflecting a mature perspective on what truly matters. This focus on emotional depth is balanced beautifully with melodies that evoke a sense of calm and hope, encouraging listeners to reflect on their own lives. His music creates an inviting atmosphere where one can contemplate the joys of living simply.
As he continues to develop his catalog, Eli Mercer stands out for his ability to blend genres such as pop, R&B, and soul into a cohesive sound that feels timeless yet contemporary. With each track, he invites us to join him on this journey towards gratitude and clarity. His vocal delivery is conversational yet powerful, leaving an impression that lingers well beyond the last note. Through his work, Eli fosters a connection with audiences seeking authenticity in a world often dominated by noise and distraction.
Better With Less
Eli Mercer
I kept every receipt like proof
Bought more space then filled each room
Wore my plans like heavy clothes
Carried things I never chose
One by one I let them go
Found out what I need to know
A steady hand a faithful friend
A little time I do not spend
Nothing missing nothing owed
I can feel my shoulders let go
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
I gave away that tailored coat
Kept one song my father wrote
Took old numbers from my phone
Made this smaller place my own
No gold frame can hold a day
No new car can make love stay
I choose people I choose time
I choose a life that still feels mine
Nothing missing nothing owed
I can feel my shoulders let go
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
Keep the rush keep the race
I found freedom with some space
Every burden I release
Leaves more room for what I need
I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less
CREDITS
Performer: Eli Mercer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Under the Surface
Between Mirrors
Under the Surface
Between Mirrors
I woke to a sound that wasn’t there
The world was still but something stirred
Your name was carved in quiet places
Not in stone — but in the way
The kettle clicks the curtain moves
And silence starts to sway
It’s not the wind it’s not the rain
It’s every pause I can't explain
It’s you beneath the surface
It’s you without a name
I never learned to hold the stillness
Always filled the space with noise
But now I count the absent seconds
Like they were stolen joys
It’s not the sound it’s not the flame
It’s everything that won’t remain
It’s you beneath the surface
It’s you without a name
So I sit in the in-between
And feel what I can’t see
Under the surface
You’re still shaping me
CREDITS
Performer: Between Mirrors
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Left Me Dancing
Velvet Tax
Verified Artist
Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.
Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.
As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Left Me Dancing
Velvet Tax
You left me crying
But I came back dancing
Mm
I came back dancing
You took the keys
But not the door
You took your coat
But not the storm
I kept the dress
You never liked
Put on my heels
And killed the lights
You thought I’d call
You thought I’d break
You thought my heart
Would learn your name
But I found myself
At half past two
In a crowded room
Not missing you
I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming
You were the lesson
I was the flame
You left the woman
But she changed her name
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I saw your friends
They looked surprised
Like I should hide
Like I should cry
I smiled so sweet
They looked away
I guess revenge
Can wear a face
No angry texts
No midnight scene
No begging you
To come to me
I changed the song
I changed the room
I changed the girl
Who waited for you
I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread
You were the reason
I hit the ground
But I’m the reason
I’m rising now
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command
I don’t hate you
That’s too easy
I don’t need you
That’s the twist
I don’t want you
To come save me
I just want you
To see this
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
You left me lonely
But I came back shining
You left me broken
But I came back diamond
You left me crying
But I came back dancing
Da-da-da-dancing
I came back dancing
CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Il Punto Piu Vivo
Milo Sartini
Verified Artist
Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.
Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.
His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Il Punto Piu Vivo
Milo Sartini
Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va
Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi
C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta
C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni
Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto
Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato
Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato
Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase
C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre
Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme
Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo
Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola
Io dico: vicino
Tutti: più vicino
Io dico: più forte
Tutti: fino al mattino
Io dico: chi siamo?
Tutti: quelli che arrivano
Io dico: dove siamo?
Tutti: dove le cose cominciano
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi
Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà
Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi
CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
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Rich Man Pass the B...
Loch Ness Monsters
Verified Artist
Loch Ness Monsters
Rising from the enigmatic allure of Brighton's coastal shores, Loch Ness Monsters are a four-piece band reshaping the contours of alternative rock and pop.
Comprised of the ethereal vocalist Isla "Izzy" McLeod, the enigmatic guitarist Finnegan "Finn" Hartley, the introspective bassist Leo Summers, and the rhythmically ingenious drummer Pippa Clarke, the band weaves together threads of myth and modernity. Their name pays homage to the legendary creature of the deep, symbolizing the hidden depths and untapped mysteries they explore through their music.
Their breakout single, "I Fall Too Deep," plunges listeners into a whirlpool of emotion with its irresistibly catchy chorus and haunting melodies.
The song is a sonic journey, echoing the sensation of being submerged in one's feelings, fears, and desires. Izzy's haunting vocals glide over Finn's shimmering guitar riffs, while Leo's pulsating bass lines and Pippa's dynamic drumming create an undercurrent that pulls the audience into uncharted territories of sound. The track has become an anthem for those unafraid to delve beneath the surface, catching the attention of listeners in the stores where Filodyo broadcasts.
The band's origin story is as captivating as their music. Meeting by chance during a midnight swim on a dare at Brighton's pebble beach, the quartet bonded over shared tales of folklore, a love for genre-blending music, and a mutual sense of adventure.
Their performances are not just concerts but immersive experiences; they often incorporate visual art, storytelling, and atmospheric lighting to transform venues into mystical landscapes.
Loch Ness Monsters invite their audience to join them in the depths, challenging everyone to embrace the unknown and find beauty in the unexplored.
Rich Man Pass the Baton
Loch Ness Monsters
We've all seen a Tom
Rich man pass the baton
Godspeed big shoe
Stay loose and make it move
Try not to escape
Practice neatness in penmanship
Absolutely no finder's fee
We're rolling long haul
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
Creating a community without a dichotomy
Reject the king
Malefactor sing
Find your reality
Oh say church
I don't want to return to scorched earth
Or roll around in the dirt
Or skip over those who got hurt
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
We are nice to be behind
But heavens no
We are not leading
And there's not much time left
In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating
CREDITS
Performer: Loch Ness Monsters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Iron Veins
Basement Synth
Iron Veins
Basement Synth
CREDITS
Performer: Basement Synth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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