Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.

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For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.

Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.

Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.

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Jenny Star is a British pop-dance artist known for her electrifying performances, powerhouse vocals, and emotionally charged songwriting. Blending syncopated rhythms with deep lyrical storytelling, she has carved out a unique space in the music industry, delivering high-energy tracks that pulse with raw intensity.

Born in London, Jenny grew up surrounded by a fusion of underground breakbeat and mainstream pop influences. From an early age, she displayed a fierce passion for music, writing her first songs as a teenager and experimenting with vocal phrasing that would later become her signature. Her breakthrough came when she independently released a viral track on social media, catching the attention of producers drawn to her hard-hitting vocal delivery and undeniable stage presence.

Her latest single, "Lost Inside" is a high-octane anthem that perfectly encapsulates her sound—driving breakbeat percussion, emotionally gripping verses, and a chorus that hits with syncopated fire. The song explores themes of identity, escape, and the struggle to find clarity in a chaotic world, resonating deeply with fans who connect with its hypnotic energy and heartfelt lyricism.

With a growing fanbase and a reputation for mesmerizing live performances, Jenny Star is not just another pop act—she’s a force redefining the boundaries of emotional dance music. Her music is a sonic rollercoaster, filled with tension, release, and a fearless authenticity that sets her apart in the modern music scene.

Jenny Star is more than just a rising star—she’s a movement, and the world is ready to listen.

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Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.

Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.

Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.

Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.

Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.

With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.

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Tiny House Rats is a quirky and innovative two-person producer group, known for their minimalist yet powerful soundscapes. Hailing from the cozy suburbs of Copenhagen, Denmark, the duo—Jonas “J.T.” Thorsen and Emil Nilsen—came together over a shared love for blending genres and creating music in the small but vibrant studio they affectionately call "The Rat’s Nest," which happens to be located inside a tiny house they built themselves.

Their name, Tiny House Rats, is a nod to their modest setup, where they prove that you don’t need a massive space to make a big impact in the music world.

Jonas, the technical genius behind the beats, and Emil, the melody mastermind, combine their talents to craft eclectic productions that range from electronic and lo-fi hip-hop to indie pop and experimental ambient music.

Their work is defined by its attention to detail and clever use of sound layering, always making the most of the space they have—both physically and musically. They often describe their music as "controlled chaos," where seemingly random elements come together to form something unexpectedly beautiful.

Tiny House Rats are known for their collaborations with various indie vocalists, weaving their unique sound into each project. Their ability to adapt to different styles while maintaining their signature touch has earned them a growing following, particularly among fans of forward-thinking, genre-blurring music.

With tracks like “Lose Yourself” and “Home Sweet Home” Tiny House Rats are proving that size doesn't matter when it comes to creativity, and their tiny house is producing some of the most interesting sounds on the scene.

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Ashton Vance, an Algerian-born, France-raised musician, is a name that carries some weight in the local music scene. An undisputed pillar of the independent circuit, Vance ropes in audiences with his stunning knowledge of music and undeniable love for funk. Known as much for his beat-dropping basslines as his witty onstage banter, Vance strikes the perfect balance between intensity and humor, just like your favorite high school gym teacher.

A dedicated football enthusiast, Vance once had dreams of becoming a pro on the field. Unfortunately, an injury cut his budding football career short but gave rise to his musical pursuits, marking the beginning of an unexpected detour into melodic wonderland. In a strange twist of fate, Vance entered the limelight. but with a microphone rather than a football at his feet.

His hit indie song "Weight on My Shoulders" echoes the struggle and triumph of his journey - from a wannabe footballer to a sought-after musician. The track is a testament to his ability to turn the mundane and the melancholic into musical gold. Crafted with Filodyo, his unmatchable style and impressive lyrical depth have managed to shoulder the weight of acclaim without buckling.

Vance's love for music is written all over his work, receiving praise from critics and fans alike. He may not have made it to the football field, but in the realm of independent music, Ashton Vance is very much a superstar. And to think that all it took was a sprained ankle and a broken record to jumpstart the journey of this funk fanatic – talk about a sliding tackle right into fame's goalpost!

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The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.

They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.

Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.

Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.

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Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.

Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.

With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.

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