Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.

After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.

Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.

On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.

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Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.

With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.

This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.

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New York is the incubator of many dreamers, and for one Lena Wilder, it proved to be the perfect breeding ground. Lena wasn't always in the limelight; she was just another New Yorker making a living as a sales assistant in one of the city's bustling clothing stores. As she tended to racks of distressed denim and oversize knits, she wore her dreams like her favorite band tees - close to her heart but visible for the world to see. Little did her customers know that they were interacting with a voice that would someday weave an influential part of their city's sonic fabric. After all, the Big Apple isn't shy about tucking its future stars behind a discount rack, now is it?

Once her work shift ended, Lena would swap her clothing tag gun for a guitar pick and the sales floor for a stage, performing at local venues as a side gig. Here, she felt at home, strumming her guitar under the dim hue of stage lights, her soulful voice permeating the evening air with songs straight from the heart. One of her most notable songs being "No Right Time," which came as a result of a humorous debate with an ex-lover about the "right time" to eat a breakfast burrito (spoiler alert: Lena thinks it's anytime!). This feel-good declaration of burrito sovereignty soon became an anthem for heartache, nostalgia, and the taste of freedom, encapsulating her music's raw essence, which is a delicate balance between heartwarming relatability and the gritty reality.

Through all these, Lena Wilder has managed to remain notoriously elusive behind a veil of unassuming simplicity. She reminds us that the artist's journey isn't found in shiny CDs or platinum records, but in those quiet moments behind a store counter, under a spotlight in a dimly lit bar, or even in an argument over a breakfast burrito. Because in the end, the right time to chase your dreams – just like eating a breakfast burrito – is anytime!

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Helena Joy Castillo, hailing from the vibrant city of Stockholm, has carved a niche for herself in the electronic music scene with her dynamic and emotive sound. Her latest track, "Lost in the Traces," showcases her ability to blend melancholy and upliftment through pulsating beats and atmospheric synths, inviting listeners into a world where searching and finding intertwine. With its melodic EDM essence, each piece in her catalog reflects a deep emotional core underscored by energetic rhythms. Tracks like "Echoes of Tomorrow" and "Veils of Light" further explore themes of introspection and resilience, often characterized by powerful drops that resonate long after the final note.

Her journey began in the local club scene, where Helena met like-minded musicians inspired by techno's roots and the energizing pulse of dance music. Together, they crafted a refreshing sound that fuses deep basslines with haunting vocals and rich piano arrangements. The synergy between her lyrics and production creates an immersive experience; every track is an invitation to feel and reflect. Helena's artistry is marked by a playful yet aggressive energy that captivates audiences, making her an essential voice in contemporary electronic music.

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For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.

Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.

Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.

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"You've probably never heard of Mira Jensen, but then again, who has?" says Mira Jensen in a witty repartee to obscurity. This indie-goddess, hailing from the ink-blotted margins of the music world, brandishes her raw talent like a broadsword, cutting through the monotony of manufactured pop.

Behind her calming blue eyes and spaghetti disaster of blonde curls spirals the complex mind of a poet, busily spinning threads of everyday life into lyrical gold. Her music is a veritable tonic for the soul, born from the bittersweet marriage of late-night introspections and forgotten childhood memories. And "A Song Left Unwritten", her pièce de résistance, seizes your heart only to turn it into an errant marionette, dancing to its heartrending symphony.

Yet, don't let her philosophical musings fool you. Mira is as unpredictable as a jack-in-the-box, as exemplified by her impromptu concert inside an empty fish tank in the heart of Hackney (that’s right, you heard it here first). Whether she's spinning out profound ballads or making magic in the most peculiar of venues, Mira Jensen's authenticity shines brighter than her neon pink Converse.

In the music industry, where mimicking the familiar often spells success, Mira's candidness is as refreshing as a summer breeze in the Sahara. Though her nom de guerre might not yet line the billboards, something tells us Mira Jensen's footnotes in the annuls of music are just a few jamming sessions away from becoming headline-worthy annotations. Watch this space!

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