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Tales from Harlem
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 76545 02:15
What's Going On (Clean) 27466 02:26
Tales from Harlem 38046 03:58

Tales from Harlem

Brick Lords


Yeah
'bout to enter
A new era of Harlem hip-hop
The streets of Harlem
They tell these stories to me

Struggle
Life movin' fast
Juggle
It's spiral now
That's my soul jumpin' over puddles
Walks down 110th
Whispers of lost lovers
We stand in the midst of the band's discovery
Temptation's just a calm life away from survival
Only thang stay in focus is my rival
Need you
Know what I mean
We shifted our tribe for a fiend
It was a trap but we alive
Need an electric boogaloo
Sippin' matcha tea in Malibu
Staying silent with the crew perhaps
The island be spinning last acts of greed
Gotta see that you may never be my speed

The streets of Harlem
They tell these stories told
With unpolished
Feel me
We gon' crack a code
Get that bag
And then we split it with the load
On Bodega cashers
They gon' know
The streets of Harlem
They tell these stories to me
Raw
From the heart
Straight organically
Get that bag
Then we split it with the family
Bodega cashers
They gon' see

Jump when them cops shout
Some came from outta town
And me
Right here been my home about thirty miles
From the central park
Harlem nights found a crown
Couple that got decrep' and shady with foul actions
I'm in the job that's got me screamin fuck rations
My two feet more than defeat over the soil
When parked up I'm getting spoiled
They had coals on 125th
It was real loyal
Bro goddamn
All of us are grinnin like
"What's your plan?"
Stayin solid down to it when we dead game's gettin a bit nuts
Even the air smellin' like glamour and envy
We bet not get stuck
But come and help us
When the universe give us the chance
We glowed up
New cloth
She said her grandma was elusive too
My gramps
Come see his tape too
He just turned dirt over with his right hand
Fill a pot with plants
Woke up the clan
Blue line

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Albion
Erik Lindholm

Verified Verified Artist

Erik Lindholm
Swedish born and dance-floor dominator, Erik Lindholm, boasts a temperament as lively as his pulsating bass lines. His sonic sensibilities, threaded through every groove in his heart-thumping dance maestro, are as intriguing as the tale of his journey to the top of the beat kingdom.

Raised in the heart of Gothenburg, Lindholm's coming-of-age could be likened to a groovy scandi-noir episode spiced with Abba tracks. His gruff but supportive Fishmonger father, Olaf, served up his son's first taste of rhythm with the flick of his filleting knife, while his samba-loving mother, Ingrid, nurtured his love for infectious cadence. Schooldays were filled with misadventures involving tin-can drum sets, impromptu corridor concerts, and confiscated mixtapes. Bet his bemused math teacher never guessed this rebel with a cause would rise as a dance music sovereign.

Advertising his outright refusal to be pigeonholed, Lindholm's "Albion" is more than an axiom of his sound, it's a representation of his relentless pursuit of reinvention. This dance-infused ode to joy, shimmers with synths, pulsates with kinetic beats and is as intoxicating as a round of round-the-clock-midsummer-Swedish-sunshine. It's a rollicking auditory journey aptly capturing his carpe diem approach to making people move and groove.

Erik Lindholm's music vividly paints a colorful backdrop of effervescent vibes and infectious enthusiasm. And while we could end this with something delightfully corny like, "this Scandinavian sensation is dancing to the beat of his own drum machine," let's leave it at this - Lindholm lives to make hearts thump in sync with his beats, and folks, he sure succeeds.
Track(s)
Albion 31511 03:17

Albion

Erik Lindholm


Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead

In a dead world why do great times feel so silent
Over ripped sheet music why do doormen wear rags
On the Pavonia sewers why do women in love
Feel so dead in a dead world
Where Albion is silent where Albion is silent

Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead

Why is our pretty nurse standing there
Why that sorry expression on the face of her lover
So I spake to him of womankind
I said here council's floral it svours like the thyme

He said
How could you blame me when I told you it was her
I said
And we know the truth
You're a lover like your father

Later in the painting room as Ripper's painting light
Comes the lover placed by my hand
On the canvas of our wedding night
There a similitude derues your lover's blush tonight
As her florescent eyes explore mine
So remember even flowers are suseptible to night

CREDITS
Performer: Erik Lindholm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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What's Going On (Cl...
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 76545 02:15
What's Going On (Clean) 27466 02:26
Tales from Harlem 38046 03:58

What's Going On (Clean)

Brick Lords


Yes
Way down
Way down
Way down
Way down
Whoo!
Way down
Way down
This a freeway song
We sell work
Bruh
We ain't on "wei chong"
We let 'em die homie
We don't weigh Chong
Way down
Way down
Battle [Allen?]
Way down
Way down
Don't take no breaks

Dawg
Bring them red eyes along
Dawgs 'sleep' on me
I prolly woke they moms
Homies reach on me then that's just close they arms
Way down
Way down
Y'all do this once a month

All my dawgs be trappin' like homies exiting pr-on
I used to play with that heart and made a pocket off strong arm
If I try to be LeBron then I ain't talkin' bout bron-bron [LeBron?]
Why you Qbs playing bond
We wanna salt again
On what?

Uhn
Folding s**t
Origami if you trynna front
Race a stripper booted up and make her come in the front
If I'd a buck on my homie
We'd a been done up the one

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Yeah
Dawgs
We home
Ay yo
Get your girl
Dawgy
E'rybody came
Huh
Get your girl
Dawgy
Monday through Sunday
And I'm going out crazy me
Like 21 7 6 5 4 3
And I'm going off

I said
I was learning my numbers when yugonna stop playing (when you gonna stop playing)
Taking all of this time
Fuh? you're coming with me (you're coming with me)
What you think I'm for

Yes
Babygirl finally reaching on
Like twinkle twinkle
Little star
What you think
Huh
For me?

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Oh
Babydoll finally reached the bottom
And nobody was alarmed
"Babygirl
It ain't that deep"
And now
Now look at the past
And they didn't pray at first

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Meant To Be
Violette Storm

Verified Verified Artist

Violette Storm
Violette Stoem doesn’t just sing—she floats. Hailing from Rotterdam’s rainy streets and raised on a mix of French electronic minimalism and UK garage, her music exists in the space between dancefloor euphoria and solitary late-night reflection. With a voice that’s equal parts smoke and sunlight, she crafts tracks that pull you in slowly—then never let go.

Her breakout single “Meant To Be” is a hypnotic blend of deep house rhythms and shimmering pop clarity. Anchored by a driving low-end and crisp four-on-the-floor pulse, the track features syncopated synth stabs, airy pads, and a vocal hook that lands straight in your bloodstream. It’s the kind of track that feels equally at home in Berlin’s underground or a coastal sunset set in Ibiza.

Violette isn’t chasing trends. She’s building a sound world of her own—emotive, minimalist, and endlessly danceable. Her sets are known for their intimacy, her lyrics for their vulnerability, and her production for its razor-sharp elegance. Quiet by nature, loud by design.
Track(s)
Meant To Be 109840 03:26

Meant To Be

Violette Storm



Last night I met you at the party
And we were strangers at the start
But when you touched me I could hardly
Hardly believe the way you felt

It was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

Last night you caught me at the party
And you came right up to my heart
And I knew right away
Darling
That you would never break it apart

And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

And then you kissed me at the party
And that's when I fell in love
And I was waiting for you
Darling
And I know that you were too
And then you kissed me at the party
And that's when I fell in love
And I was waiting for you
Darling
And I know that you were too

And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

CREDITS
Performer: Violette Storm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Dancing It All Off
Sophie Weak

Verified Verified Artist

Sophie Weak
Meet Sophie Weak, the daintier and infinitely more coordinated cousin of the beloved Weeble Wobble. Hailing from the cultural cauldron that is London, indie dance maven Weak has a knack for composing euphorically buoyant tracks that'll get your feet tapping and heart thumping.

She first made waves in the indie scene with the high-voltage hit, "Dancing It All Off". Weak's signature style effortlessly blends cheeky, tongue-in-cheek lyrics with electric rhythms and synthed-up beats that are sure to ignite even the most lead-footed listener's lust for dance. She's a bit like the Mary Poppins of the music world; if Mary Poppins swapped her umbrella for a sequined leotard and developed an insatiable appetite for disco balls, that is.

Sophie's sound is no mere illusion of joy, but genuine, unadulterated happiness put to a beat. Often, her tracks can be found playing in hipster cafes across the city, causing spontaneous, caffeinated dance-offs amongst bearded barristers and laptop warriors. So, brace yourself, your Bluetooth speakers, and possibly your pets (because they have sensitive ears); Sophie Weak is here to shake up your playlists with her infectious beats and infectious spirit!
Track(s)
Dancing It All Off 102327 02:57

Dancing It All Off

Sophie Weak


I gotta dance it off
I got the weight of the world
And my week was so hard
I gotta dance it off
I got the weight of the world
And my week was so hard
I gotta dance it off

Got me feelin' like
All night
All night
Dancin' like it's
All night
All night

I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night
I'm just gonna dance it off
Got me dancin' like it's all night
All night

CREDITS
Performer: Sophie Weak
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 44737 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 2554 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Turn It Over
Cold Empires

Verified Verified Artist

Cold Empires
Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.
Track(s)
Turn It Over 229031 02:35

Turn It Over

Cold Empires


Yeah!
Turn it over turn it over now!
Uh-huh!
Let’s go!

Runnin’ through the blocks got my heartbeat kickin’
Steel on my feet and the wheels keep spinnin’
Bass in my chest like a downtown riot
Hands in the air if you just can’t fight it

Skyscraper bounce in the middle of the lane
Every light flashin’ can’t stay the same
Heat in the air yeah the night’s our stage
Flip it one more time let’s break that cage

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Jump to the left now slide to the right
We don’t wait for the day we ignite the night
Steam on the glass when the crowd gets near
Every move we make yeah the world can hear

We’re wired up loud with the floor still shakin’
No pause button no chance we’re takin’
Hands to the roof keep the vibe on fire
Drop it one more time lift it even higher

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Push it forward!
Push it higher!
Can’t hold back!
Feel that fire!
Break it flip it!
Don’t stop yet!
We’re not done — it’s not over yet!

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

CREDITS
Performer: Cold Empires
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Kaiser Tempo
Herr Casino

Verified Verified Artist

Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.

Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Track(s)
Kaiser Tempo 95444 04:04
Disco Machiavelli (ft Miss Voltage) 46910 03:53

Kaiser Tempo

Herr Casino


Achtung
Herr Casino
Kaiser Tempo
No love story
No apology
Nur Rhythmus

He came in sharp
Black coat white face
Gold ring no name

One step two guards
Red wine fast cars
Cold smile big talk
Slow hands hard walk

Everybody said
Who is this man?
Nobody moved
Nobody ran

He smiled like a banker
Danced like a thief
Talked like a prince
With a knife in his sleeve

Kaiser Tempo
King of the room
Too much money
Not enough truth

Clickclick
Camera flash
Ticktick
Count the cash

Big talk
Small town
Lights up
Hands down

He don’t sing
He declares
He don’t love
He compares

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

Hotel lobby
Three am
Same old story
New problem

Silver lighter
Foreign smoke
He tells the truth
Like it’s a joke

Listen darling
Life is a game
Change the rules
Then change your name

He signs the bill
With a fountain pen
Leaves no number
Comes back again

One hand waving
One hand cold
Too young to stop
Too rich to grow old

Clickclick
Camera flash
Ticktick
Count the cash

Big talk
Small town
Lights up
Hands down

He don’t run
He arrives
He don’t sleep
He survives

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

In Vienna
They called him trouble

In Paris
They called him style

In Milan
They called him expensive

In Berlin
They just smiled

He said
Gentlemen
You can buy the ticket
But you cannot buy the entrance

Then the bass came in

Tempo
Kaiser
Tempo
Kaiser

No crown
No throne
Just a telephone

No heart
No fear
Just a mirror near

Tempo
Kaiser
Tempo
Kaiser

Talk fast
Walk slow
Never let the people know

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

Achtung
The bill is paid
The room is empty
Kaiser Tempo
Has left the building

CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Keep Me In That
Adam Lamo

Verified Verified Artist

Adam Lamo
Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.

Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.

Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.
Track(s)
Keep Me In That 95529 02:48

Keep Me In That

Adam Lamo



Strangers in the backseat city hum’s a lullaby
Silhouettes in rearview glass fading with the sky
No confessions just the tension
Sipping on a moment we won’t define

And I pull the static closer
Your eyes say more than closure
Burning through the calm again—mmm ahh—yeah

We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state

Tuned to our own channel we’re no one's broadcast
We don't leave trails only moments that last
No compass no plans
Just two outliers with no demands

Every glitch is gold tonight
We’re wired for the fight or flight
Touch like gravity—hmm—aah—pulls me right

We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state

No rewind just loops we bend
Every second a means not the end
Not broken—just bent in rhythm

Hah—mm-mm—hah
Cold air warm static—
No words left just the habit

[Final Chorus]
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state—woah

CREDITS
Performer: Adam Lamo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
HEAT MUSIC UNIVERSE
00:00 / 00:00

Things I Never Said
Bruno Galvez

Verified Verified Artist

Bruno Galvez
Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.
Track(s)
Silbando Tu Nombre 146726 03:34
Things I Never Said 467422 03:48

Things I Never Said

Bruno Galvez



I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Guitar Break]

I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Instrumental Break]

There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left

[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said

CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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