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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Things I Never Said
Bruno Galvez
Verified Artist
Bruno Galvez
Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.
To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.
He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.
Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.
Things I Never Said
Bruno Galvez
I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Guitar Break]
I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said
I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said
[Instrumental Break]
There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left
[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said
CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old News
Kelvin Boyd
Verified Artist
Kelvin Boyd
Kelvin Boyd is an R&B and soul artist known for blending warm falsetto vocals with relaxed, conversational songwriting. His sound sits between classic soul, sample-based rhythm and modern groove, pulling together chopped records, electric piano textures and understated rap verses that feel personal without trying too hard. Rather than chasing drama, Kelvin’s music leans into maturity, detail and emotional control, turning everyday moments into songs that feel intimate, lived-in and quietly memorable.
His release Old News captures that approach perfectly, pairing a light, floating vocal with a grounded story about growth, distance and getting to a better place emotionally. There is nostalgia in his music, but it never feels stuck in the past. Kelvin Boyd makes songs that sound confident, warm and human, built for listeners who want soul with honesty, rhythm with restraint and a voice that can carry both tenderness and self-possession at the same time.
Old News
Kelvin Boyd
(old news old news)
Somebody told me you got married
In a garden in the spring
They watched my face for the crack
And I gave them nothing
I checked myself all the way home
Waited for it to land
But it's old news
Old news
Somebody else's headline now
It's old news
Old news
I hope the garden was beautiful
And I mean it and that's new
(old news old news)
[Rap Verse]
Two years back this would have wrecked a whole week
Called my brother couldn't sleep couldn't eat
Now I hear the story and I'm halfway through a sandwich
Genuinely happy for you that's the plot twist
Time doesn't heal that's a line that people sell you
Time just hands you something else to fill you
Built a life so full there wasn't room to keep you
And that's not bitter that's the kindest thing I'll tell you
I kept the jacket for a while
Left it at a charity shop in March
Somebody's wearing it in the rain right now
And they don't know a thing about us
But it's old news
Old news
Somebody else's headline now
It's old news
Old news
I hope the garden was beautiful
And I mean it and that's new
I'm not over it because I won
I'm over it because I grew
Those are two different endings
And I got the better of the two
But it's old news
Old news
Somebody else's headline now
It's old news
Old news
I hope the garden was beautiful
And I mean it and that's new
It's old news
(old news old news)
CREDITS
Performer: Kelvin Boyd
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Right Here
Aren Vox
Right Here
Aren Vox
Two feet down
Breath comes clean
No map needed
I know this scene
Clock ticks but I don’t flinch
I’m not measuring not a pinch
This is the taste I never caught
Now it’s mine — like it or not
No rewind no design
I’m not late — this is mine
Right here
Where I land feels good
Right here
Not misunderstood
No need to run
No need to steer
I’ve waited long enough
I’m right here
I’ve walked straight through too many signs
Wrote my name between the lines
Didn’t climb didn’t crawl
Just stood still and watched it all
No detours
No disguise
I’m not looking
It’s all in my eyes
Right here
Where I land feels good
Right here
Not misunderstood
No need to run
No need to steer
I’ve waited long enough
I’m right here
Not hoping
Not drifting
Just holding
What’s lifting
Right here
And I finally know
Right here
Is enough to show
I don’t rewind
I don’t defer
I’m not escaping
I’m right here
CREDITS
Performer: Aren Vox
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Second-Hand Sunday
Leonard Isaiah Ellis
Verified Artist
Leonard Isaiah Ellis
Leonard Isaiah Ellis is a British singer and songwriter known for his warm baritone, understated delivery, and the kind of presence that never needs to shout to be felt. Raised in South London, he grew up between church harmonies, old soul records, and the city’s late-night dance culture, which shaped the mix of intimacy and rhythm that runs through his music. Before releasing his own material, Ellis spent years writing hooks, recording demos, and lending vocals to producers in the house and electronic scene, quietly building a reputation as a dependable voice with real character.
His single Second-Hand Sunday shows a softer, more personal side of his writing. Built around small domestic details and a calm sense of gratitude, the song trades drama for comfort and finds meaning in ordinary moments, cheap coffee, old records, and the rare luxury of having nowhere to be. It is that balance of lived-in storytelling and soulful restraint that defines Leonard Isaiah Ellis, an artist more interested in honesty than image, and in songs that linger long after the room has gone quiet.
Second-Hand Sunday
Leonard Isaiah Ellis
Six coins in the jar on the shelf
Rain on the window like applause
You in my shirt with the sleeves rolled
Making toast like it's a job
We are not going anywhere today
And that is the whole plan
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
(oh oh)
There's a record we have played into the ground
The needle skips at the same part
And we sing over the gap
Like it was meant to be there
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
Everybody's chasing a bigger room
A better view a longer table
I've got a kettle and a radio
And somebody worth the morning
Give me a second-hand Sunday
Cheap coffee no ambition
Give me a second-hand Sunday
Nothing broken nothing missing
I have been rich and I have been thin
I'd take this over both of them
Give me a second-hand Sunday
Give me a second-hand Sunday
(oh oh)
CREDITS
Performer: Leonard Isaiah Ellis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe
Verified Artist
Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.
Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.
"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.
So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Old Good Days
Calvin Ray Monroe
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag
On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right
Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing
All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff
I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me
I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me
I'm in this place with the people
That told me I couldn't do it
But now I be doing me
I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind
I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
What I Got Back
Tessa Monroe
Verified Artist
Tessa Monroe
Tessa Monroe is a European pop vocalist whose sound sits between deep house, pop disco and sleek contemporary R and B. Her records are built on breathy lead vocals, glossy hooks and clean club energy, with rolling sub bass, bright rhythmic detail and polished production that feels made for late nights, city lights and repeat listens. What makes her stand out is the way she keeps that shine connected to something human. Even at her most danceable, her songs stay focused on hesitation, trust and the small emotional signals people miss when they are trying not to get hurt.
On Careful, Monroe leans fully into that balance. The track moves on a warm 118 BPM pulse with deep dub chords, muted guitar plucks, tight shuffled percussion and a big rising pre-chorus that opens into an immediate, radio-ready chorus. A clean male rap verse adds contrast without breaking the mood, giving the song a second perspective while keeping the center of gravity on her voice. It captures the core of Tessa Monroe’s appeal, stylish and energetic on the surface, but emotionally precise underneath, like a pop record you can dance to and still believe every word of.
What I Got Back
Tessa Monroe
Prompt
I used to count what disappeared
Like numbers mattered after all
Now I count the weight I don’t carry
And how much lighter I can walk
I lost a key to an old front door
Kept it for years inside a tray
Then one morning I threw it out
Funny I never went back anyway
I lost a name I used to answer to
The one you gave me when we met
Took it off like an old price tag
Turns out I was worth more without it
Every empty shelf
Gave something else a place
Every closed account
Put money back in my name
Look at what I got back
When I let it go
My own side of the bed
My own way home
Look at what I got back
Every time I lost
Less to explain
Less to carry across
You can call it losing
I don’t call it that
I know what went away
Look at what I got back
I broke the glass we bought in Paris
Swept it clean and kept the wine
Sold the chair you always sat in
Bought a table that was mine
I gave away the blue suitcase
The one that followed every fight
Now I travel with a smaller bag
And somehow take more life
Every empty shelf
Gave something else a place
Every cancelled plan
Put hours back in my day
Look at what I got back
When I let it go
My own side of the bed
My own way home
Look at what I got back
Every time I lost
Less to explain
Less to carry across
You can call it losing
I don’t call it that
I know what went away
Look at what I got back
Lost your number
Found my Saturday
Lost our picture
Found my better face
Lost the promise
Kept the lesson
Lost the weight
Kept the direction
Look at what I got back
When I let it go
A quieter morning
A life of my own
Look at what I got back
Every time I lost
More of myself
At somebody else’s cost
You can call it losing
I don’t call it that
I know exactly what I lost
And look at what I got back
The key is gone
The door is too
Funny how losing it
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Lyrics
CREDITS
Performer: Tessa Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Keep It Moving
False Memory Lane
Keep It Moving
False Memory Lane
Keep it keep it
Keep it moving
Step by step we don’t look back
Caught the rhythm let it track
Flick the switch hit the light
We're alive in the neon bite
Don’t stop feel that spark
Ready to ignite the dark
Heartbeat slows tension grows
Heartbeat
Heartbeat
Heartbeat
New night new skin
New rules we’re living in
Eyes closed we fly
No reason no why
Breathe it in count to ten
We're not going back again
We keep it moving
Never stuck always choosing
Through fire through noise
We make the loudest choice
Keep it…
Keep it…
CREDITS
Performer: False Memory Lane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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August Anyway
Amelia Shaw
Verified Artist
Amelia Shaw
Amelia Shaw is a London based pop and deep house vocalist whose music blends warmth, movement and emotional clarity. Her sound leans on bright synths, hand percussion, house grooves and polished pop production, but the heart of it is always the voice, intimate, expressive and full of small human details. She has a way of making songs feel uplifting without flattening their meaning, turning fleeting relationships, summer memories and unfinished conversations into records that still feel alive long after the chorus ends.
On August Anyway, Shaw captures the beauty of something temporary without treating it like a mistake. Built around sunset energy, kalimba textures, brass swells and a clean festival-ready pulse, the track carries both joy and acceptance at the same time. That balance is what defines her style, emotionally open but never heavy-handed, radio-friendly but still personal, and always grounded in the idea that even brief moments can leave a lasting mark.
August Anyway
Amelia Shaw
We knew the date before we started
You had a flight I had a lease
Everybody told us not to do it
So we did it anyway
Four weeks is not a lifetime
But it isn't nothing either
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
(anyway anyway)
Now it's cold and I still know
The exact sound your car made in the drive
People ask me if I'd take it back
And I laugh and I say
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Some things are not meant to be kept
Some things are meant to be spent
And I spent it every hour of it
And I would spend it again
Give me August anyway
Give me the ending on the first day
I would rather hold a thing that goes
Than never hold a thing at all
Give me August anyway
Give me August anyway
(anyway anyway)
CREDITS
Performer: Amelia Shaw
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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