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Summer Starts
The Plastic Chapels
Verified Artist
The Plastic Chapels
The Plastic Chapels are a fictional four-piece indie-pop band who turn everyday scenes into bright, immediate choruses. Vocalists Casey Rowe and Mina Hart share guitars with bassist Theo Lane and drummer Paz Moreno, friends who began writing together after years of crossing paths at neighborhood shows and seasonal jobs.
“Summer Starts” captures the first truly warm day of the year: screen doors, bare feet, cold drinks on the curb and a calendar suddenly emptied of obligations. Handclaps, jangling guitars and an open-hearted refrain give the song the feeling of a block party beginning before anyone planned it.
The band’s music is playful without being disposable, grounded in the belief that ordinary happiness deserves a loud soundtrack. The Plastic Chapels make colorful guitar pop for windows-down afternoons, shared sidewalks and moments people wish could last all year.
Summer Starts
The Plastic Chapels
Shoes off by the door
Got that first-day heat
Screen door slams behind me
Bare feet on the street
I had a long cold week
Now the sky says go
Your laugh on my tongue
Like a soft encore
Oh it’s coming on fast
Like a wave in my chest
I can feel it now
I don’t need to guess
Summer starts I’m happy
Summer starts I’m here
Take my hand come closer
Keep that feeling near
Summer starts I’m happy (happy)
Summer starts right here
We can run forever
Let it stay all year
Cold drinks on the curb
Melting in the sun
You got that easy grin
Like the day’s just begun
Kids yelling down the block
Ice cream on our shirts
Nothing on the calendar
Nothing but this world
Oh it’s coming on fast
Like a wave in my chest
I can feel it now
I don’t need to guess
Summer starts I’m happy
Summer starts I’m here
Take my hand come closer
Keep that feeling near
Summer starts I’m happy (happy)
Summer starts right here
We can run forever
Let it stay all year
We don’t need a reason
We don’t need a plan
Just the open air
And your warm hand
If the night moves slowly
Let it take its time
I found my little forever
In the yellow shine
Summer starts I’m happy
Summer starts I’m here
Take my hand come closer
Keep that feeling near
Summer starts I’m happy (happy)
Summer starts right here
We can run forever
Let it stay all year
CREDITS
Performer: The Plastic Chapels
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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In a Bottle
Anneliese Bauer
Verified Artist
Anneliese Bauer
'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.
Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.
A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.
Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!
In a Bottle
Anneliese Bauer
Through the Mississippi River
Cold Chicago North Wind
Sailing down the Gulf of Mexico
I've got
Something to say
Floating in a bourbon-filled bottle
My own message in a bottle
I've got
Something to say
What if you could find it?
Then someone would know
What if you ignore it?
Then no one would know
Pick it up from the Atlantic Ocean
No matter what you do
If you leave it unopened
I'll have
Nothing to say
What if you don't find it?
Then no one will know
What if you could listen?
Then someone would know
What if this was my only chance?
How could I tell you?
There is so much left to say
So much I want you to know
CREDITS
Performer: Anneliese Bauer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Listen, Kid
Dual Mode
Listen, Kid
Dual Mode
Alright
You don’t have to listen
But maybe —
maybe you should
Start with water
Not some fake fitness elixir
Just water
Sip it before your coffee
then sip it again after your regrets
Sleep is not weakness
Neither is asking for help
Just don’t ask the internet
It thinks garlic cures everything
Call your dad
Even if the call is quiet
Especially then
When in doubt clean something
Start small
Your desk
Your browser history
Your heart
Buy plants
Name them after people who once hurt you
Then watch them die peacefully in a well-lit corner
Don’t trust anyone who brags about how little they sleep
They’re not deep — they’re tired
Same thing with people who always "grind"
They’re not hungry — they’re running from something
Eat the fruit before it wrinkles
Like your plans
Don’t let them rot in the bowl
Stretch your knees
Take care of them like they’re the last pair you’ll get
Because they are
Your hair?
Stop pulling at it
It’s not a problem to solve
It’s a crown
Messy is still royalty
Read the damn book
Even if it’s slow
Even if you forget what you just read
You’ll remember the part that matters
That’s how memory works —
selectively like a moody DJ
Take your time
Don’t forget to breathe
Hold what’s light
And let go what grieves
Unfollow people who make you feel small
You’re not rude — you’re pruning
Call your old friends
Not because they need you
But because you still remember
how they laughed in eighth grade
Skip one party
Leave one message on read
Stay in on a Friday
and let your spine remember what pillows feel like
Stop saying sorry when you mean thank you
And stop apologizing for taking up space
You do
You’re allowed to
Take the photo
You look better than you think
Years from now
that version of you will say “Hey thanks for not deleting me”
And hey
walk more
Even if it's just to the fridge and back
Even if it's aimless
Especially if it's aimless
Take your time
Don’t forget to breathe
Hold what’s light
And let go what grieves
You’re still here
That means something
Now go
Just don’t run
CREDITS
Performer: Dual Mode
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe
Verified Artist
Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.
Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.
"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.
So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Old Good Days
Calvin Ray Monroe
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag
On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right
Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing
All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff
I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me
I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me
I'm in this place with the people
That told me I couldn't do it
But now I be doing me
I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind
I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Intercepted Call
OXR
CREDITS
Performer: OXR
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Power Play (ft Dari...
Heather Davis
Verified Artist
Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.
Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Power Play (ft Darius Vale)
Heather Davis
Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way
Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Burn the Night
Indigo Motel
Verified Artist
Indigo Motel
Indigo Motel is an indie pop-rock band built for wide-open stages, late-night drives, and choruses that feel bigger every time they return. Their sound begins in intimate spaces—soft piano notes, restrained drums, and exposed male vocals—before growing into something urgent and cinematic. Stomps, handclaps, swelling guitars, and soaring synths gradually push each song toward an explosive release.
At the centre of the band is a raw, passionate lead vocal, strengthened by gang vocals that turn their choruses into communal moments. Indigo Motel write about youth, uncertainty, loyalty, escape, and the reckless confidence that appears when a crowd sings the same words together. Their music balances emotional vulnerability with festival-sized energy, creating songs that feel personal in the verses and unstoppable in the chorus.
Their debut single, “Burn the Night,” introduces Indigo Motel at their most ambitious: a slow-burning anthem that rises from a quiet opening into a powerful, uplifting singalong. It captures the band’s defining contrast—private emotion transformed into collective noise—and establishes them as a group made for packed venues, raised hands, and nights nobody wants to end.
Burn the Night
Indigo Motel
I hear the city breathing I feel the fire inside…
We’re the echoes on an empty street
Chasing hours we can’t repeat
Broken bottles but the glass still shines
We turn the ruins into battle lines
Lift me higher don’t let go
We’ve got sparks the dark can’t hold
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
Every scar is a story told
Every hand is a hand to hold
If we stumble we still stand tall
Tonight we’re endless we can have it all
Lift me higher don’t let go
We’ve got sparks the dark can’t hold
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
[Bridge – crowd chant]
Oh-oh-oh we’re alive tonight
Oh-oh-oh let the flames ignite
So we burn the night we burn it bright
Raise your voice let it cut the sky
We are more than what they say
We are fire we won’t fade away
We are fire… we are fire tonight
CREDITS
Performer: Indigo Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Assembly Line Ghost
Shards of Noon
Assembly Line Ghost
Shards of Noon
CREDITS
Performer: Shards of Noon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Me Doblo
The Callejeros
Verified Artist
The Callejeros
The Callejeros, a dynamic duo hailing from the vibrant streets of Los Angeles, bring a heartfelt blend of Latin and pop influences to their music. Friends since childhood, Diego and Mateo first connected over shared experiences—growing up in a neighborhood where dreams often felt distant but determination was a way of life. Their bond deepened through collaborations in local music scenes, where they honed their craft in intimate venues, paving the way for a unique sound that effortlessly marries rich lyrical storytelling with infectious melodies. Each song reflects their life’s journey, capturing bittersweet nostalgia and romantic undertones, as evidenced in their standout track "No Me Doblo."
With powerful themes of resilience and self-acceptance woven throughout their catalog, The Callejeros explore the complexities of love and identity. Their music often draws from personal histories marked by struggle, earning them a loyal following who resonate with their authenticity. The duo's sonic identity is characterized by emotive vocals layered over lush instrumentation, creating an atmospheric backdrop that invites listeners to reflect and connect. As they continue to evolve artistically, The Callejeros remain committed to crafting songs that speak to the heart while celebrating both joy and heartache through their distinctive lens.
No Me Doblo
The Callejeros
Me caí mil veces sí
Pero aquí sigo—sin pedir perdón
Crecí donde el sol no llegaba
Donde el pan se ganaba con rabia
Aprendí que el silencio castiga
Y que el orgullo también abriga
No heredé fortuna ni mapa
Solo cicatrices y una capa
De fe que nadie me dio
Pero que en mí… nunca faltó
No me doblo aunque el viento me grite
Aunque el mundo me quite
Lo que un día llamé hogar
No me doblo aunque sangren los pasos
Aunque pierda mil abrazos
Mi alma no se va a quebrar
Me dijeron: “No sueñes tan alto”
Pero el cielo no tiene contrato
Y si caigo que sea bailando
Con los puños al sol cantando
No busco piedad ni medalla
Solo dejar huella en la batalla
No me doblo aunque el viento me grite
Aunque el mundo me quite
Lo que un día llamé hogar
No me doblo aunque sangren los pasos
Aunque pierda mil abrazos
Mi alma no se va a quebrar
Y si mañana no amanece
Yo seré quien lo enciende
Con mi voz y con mi piel
Porque rendirse no se aprende
No me doblo ni aunque el tiempo me borre
Ni aunque nadie me nombre
Yo sabré quién fui al final
No me doblo… y si muero de pie
Será sabiendo que amé
Sin miedo sin callar
CREDITS
Performer: The Callejeros
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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