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All That Shine
Paint the Moon Slow
Verified Artist
Paint the Moon Slow
For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.
Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.
Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.
All That Shine
Paint the Moon Slow
Every win costs more than it shows
Smiles on screens but nobody knows
Counting steps in designer doubt
Applause fades when the lights go out
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
[Instrumental Break]
Phone full of names I don’t call
Rooms packed tight but I feel small
I keep my truth behind gold frames
Success is a house with shifting names
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
Don’t envy thrones you’ve never sat
You won’t feel full chasing that
I built a world from nothing at all
Paved my name on a silent wall
They cheer the rise not the climb
CREDITS
Performer: Paint the Moon Slow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wired
The Heartbeaters
Verified Artist
The Heartbeaters
Meet the Heartbeaters, an endearingly nonchalant pair treading the pop-smeared pavements of our music scene. They add a sparkling new spin on that familiar pop fizz you just can't help but sip on.
Hailing from Humorsville, USA, the Heartbeaters are two blokes who serve pop tunes home-cooked with southern charm and laden with joy-generating particles. Their infectious melodies, cheekily described as "heart-pop", will likely enter your circulatory system and induce spontaneous toe-tapping, head-bopping, or whatever physical exercise tickles your fancy. Here's a personal favorite - try saying no to a track titled "Wired" without grinning like a Cheshire cat in a yarn warehouse. See? Impossible.
These chaps have a talent for injecting delight into your audio diet. They've got this 'happy virus' so potent that it makes the Grinch seem like your average party bouncer. The Heartbeaters, remember the name. They're the talented two-piece likely to prescribe you a daily dosage of dulcet euphoria and leave you craving for refills. Trust us, their sound is habit-forming.
Wittier than your average stand-up comedian, with tracks more contagious than your common cold, The Heartbeaters are two lads weaving infectious tunes thereby proving that not all heroes wear capes - some might just sport heart-shaped sunglasses and bass guitars.
Wired
The Heartbeaters
City’s alive but it’s running on fumes
Dreams stitched together in rented rooms
Eyes on the prize but the cost is steep
Promises made that we’ll never keep
Hours turn to minutes they slip through our hands
We’re building a kingdom on shifting sands
Caught in the rhythm can’t break away
Tomorrow’s a stranger but we’re here today
We’re wired to the sound of a restless beat
Living for the rush on these crowded streets
Hearts on fire but the glow won’t last
Running from shadows of a fractured past
Neon signs hum like a warning bell
Each broken dream another tale to tell
Feet keep moving though the road’s worn thin
Lost in a race we were born to win
Hours turn to minutes they slip through our hands
We’re building a kingdom on shifting sands
Caught in the rhythm can’t break away
Tomorrow’s a stranger but we’re here today
We’re wired to the sound of a restless beat
Living for the rush on these crowded streets
Hearts on fire but the glow won’t last
Running from shadows of a fractured past
And maybe one day we’ll find the line
Where chaos turns into the divine
But for now we’re the sparks that fly
Burning too fast to question why
We’re wired to the sound of a restless beat
Living for the rush on these crowded streets
Hearts on fire but the glow won’t last
Running from shadows of a fractured past
Fading echoes in the city’s hum
Chasing the pulse of what we’ll become
CREDITS
Performer: The Heartbeaters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Mirrors in Motion
Liora Vane
Mirrors in Motion
Liora Vane
CREDITS
Performer: Liora Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Brave New World
Clara
Verified Artist
Clara
Clara, a Toronto-based artist, has carved out a space in the contemporary music scene with her captivating blend of alternative, electronic, and pop sounds. With roots steeped in the city’s vibrant club culture, she emerged from obscurity by transforming personal demos into polished tracks infused with emotion and resonance. Her latest offering, “Brave New World,” showcases her ability to weave poignant narratives through immersive soundscapes, resonating with themes of vulnerability and resilience that echo throughout her catalog.
Her music delves into the bittersweet and dreamy realms of human experience, often reflecting feelings of isolation and self-discovery. The lyrical intensity in her work invites listeners into her world, where she grapples with expectations and identity amidst the chaos of modern life. Tracks like “Brave New World” capture the essence of feeling exposed “in the center of the ring,” embodying a sense of defiance wrapped in vulnerability. The production style draws on EDM and dance influences, creating infectious beats that both uplift and evoke introspection.
Clara’s artistic identity continues to evolve as she embraces new collaborations and dives deeper into experimental sounds. Each song is a chapter in her ongoing exploration of self, inviting fans to join her in navigating the complexities of existence. With a growing repertoire that reflects her journey, Clara stands poised to redefine the boundaries of pop-infused electronic music, capturing hearts with every note she shares.
Brave New World
Clara
All eyes on me in the center of the ring
Like a criminal with a smoking gun
Like a boy with a thorn in his side
I'm like a fish out of water
All eyes on me
Like a gun to the head
Like a head on a plate
Like a lamb to the slaughter
But they don't know what I've seen
The coldest winter in twenty-three
Don't know what I've seen
But I don't wanna die
But I don't wanna die
But I don't wanna die
But I don't wanna die
In this brave new world
In this brave new world
In this brave new world
In this brave new world
CREDITS
Performer: Clara
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Run Into Summer
August Marlow
Verified Artist
August Marlow
August Marlow is a 25-year-old artist hailing from Toronto, whose music encapsulates the essence of youth and optimism. With a focus on pop, his debut track "Run Into Summer" radiates a hopeful and uplifting vibe, perfectly reflecting the playful spirit of summer. Marlow's sound is characterized by vibrant melodies and heartfelt lyrics, inviting listeners into a world where inspiration and joy intertwine seamlessly.
Though currently his catalog includes just this one track, "Run Into Summer" sets a promising tone for what is to come. Marlow's artistic identity is shaped by themes of positivity and aspiration, elements that are likely to resonate throughout his future work. As he continues to explore and expand his musical horizons, fans can anticipate a collection of songs that celebrate life's lighter moments while maintaining an authentic connection to his artistic roots.
Run Into Summer
August Marlow
You showed up late with your hair still wet
Said “don’t ask where I’ve been”
I had two cold drinks and a nervous smile
You had trouble on your skin
We left our phones in the corner booth
Ran out before the bill
You said “I know a road where the city ends”
I said “show me I will”
And I don’t know
Where this thing is going
But your hand’s in mine
And the night keeps rolling
You say my name
Like a song you’re learning
Then you pull me close
And the whole street’s turning
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
You kicked your shoes off by the seaside bar
Danced on the pavement line
I tried to act like I didn’t care
But I was losing my mind
You stole my cap I stole your look
We were laughing too loud
Somebody played that old guitar
And you sang to the crowd
And I don’t know
If this is a warning
But your eyes say stay
Till the blue of morning
You say my name
Like you mean it maybe
Then you smile like that
And the night goes crazy
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
Oh-oh-oh
One more minute with you
Oh-oh-oh
One more minute with you
**[Bridge - Half Time]**
Maybe September comes too soon
Maybe this all disappears
Maybe we’re just two hearts
Making too much noise out here
But I don’t wanna slow down
I don’t wanna be right
I just wanna keep you
For the rest of tonight
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
Oh-oh-oh
One more minute with you
Oh-oh-oh
Run into summer with you
CREDITS
Performer: August Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
What I Got Back
Tessa Monroe
Verified Artist
Tessa Monroe
Tessa Monroe is a European pop vocalist whose sound sits between deep house, pop disco and sleek contemporary R and B. Her records are built on breathy lead vocals, glossy hooks and clean club energy, with rolling sub bass, bright rhythmic detail and polished production that feels made for late nights, city lights and repeat listens. What makes her stand out is the way she keeps that shine connected to something human. Even at her most danceable, her songs stay focused on hesitation, trust and the small emotional signals people miss when they are trying not to get hurt.
On Careful, Monroe leans fully into that balance. The track moves on a warm 118 BPM pulse with deep dub chords, muted guitar plucks, tight shuffled percussion and a big rising pre-chorus that opens into an immediate, radio-ready chorus. A clean male rap verse adds contrast without breaking the mood, giving the song a second perspective while keeping the center of gravity on her voice. It captures the core of Tessa Monroe’s appeal, stylish and energetic on the surface, but emotionally precise underneath, like a pop record you can dance to and still believe every word of.
What I Got Back
Tessa Monroe
Prompt
I used to count what disappeared
Like numbers mattered after all
Now I count the weight I don’t carry
And how much lighter I can walk
I lost a key to an old front door
Kept it for years inside a tray
Then one morning I threw it out
Funny I never went back anyway
I lost a name I used to answer to
The one you gave me when we met
Took it off like an old price tag
Turns out I was worth more without it
Every empty shelf
Gave something else a place
Every closed account
Put money back in my name
Look at what I got back
When I let it go
My own side of the bed
My own way home
Look at what I got back
Every time I lost
Less to explain
Less to carry across
You can call it losing
I don’t call it that
I know what went away
Look at what I got back
I broke the glass we bought in Paris
Swept it clean and kept the wine
Sold the chair you always sat in
Bought a table that was mine
I gave away the blue suitcase
The one that followed every fight
Now I travel with a smaller bag
And somehow take more life
Every empty shelf
Gave something else a place
Every cancelled plan
Put hours back in my day
Look at what I got back
When I let it go
My own side of the bed
My own way home
Look at what I got back
Every time I lost
Less to explain
Less to carry across
You can call it losing
I don’t call it that
I know what went away
Look at what I got back
Lost your number
Found my Saturday
Lost our picture
Found my better face
Lost the promise
Kept the lesson
Lost the weight
Kept the direction
Look at what I got back
When I let it go
A quieter morning
A life of my own
Look at what I got back
Every time I lost
More of myself
At somebody else’s cost
You can call it losing
I don’t call it that
I know exactly what I lost
And look at what I got back
The key is gone
The door is too
Funny how losing it
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Lyrics
CREDITS
Performer: Tessa Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Feelings
Sarah X
Verified Artist
Sarah X
Sarah X is an indie pop artist whose vibrant soundscape draws influences from the disco era while weaving in contemporary pop elements. With her single "Feelings," Sarah encapsulates the essence of joy, hope, and romantic longing, creating an uplifting atmosphere that resonates deeply with listeners. Her vocal delivery is characterized by warmth and sincerity, which elevates the spirited instrumentation that defines her style.
While "Feelings" serves as a standout track, it also reflects a broader narrative in Sarah's catalog, where happiness and optimism are recurring themes. The blend of disco beats and catchy melodies creates a nostalgic yet fresh listening experience, inviting audiences to dance along to her music. She effortlessly connects with her audience through relatable lyrics that speak to love and infatuation, making each song feel personal and engaging.
Emerging from a creative space where she found her voice amid the eclectic Berlin indie music scene, Sarah X has cultivated a sound that feels both timeless and modern. Her music not only pays homage to genre pioneers but also carves out its own identity, with a focus on feel-good vibes that uplift and inspire. As she continues to develop her catalog, Sarah X remains dedicated to crafting songs that celebrate life's joyful moments while connecting deeply with her audience.
Feelings
Sarah X
Feelings
Now we're out of touch
And it feels strange
If I'm being honest
I don't think I've ever been in love
I was young
And you were the closest thing to it
So it felt close enough
Now I'm here
Feeling so dumb
Aren't we over this by now?
I thought I'd finally figured it out
My friends tell me
That it was a real relationship
'Cause that's what I said it was
But how could it have been?
We were just kids
Trying to play pretend
At least you were
And I thought I could keep up
I thought it would be fun
But now I'm here
Feeling so dumb
Now I'm here
Having flashbacks to the days
That I'd make you smile
And you'd run and hide your face
That was the closest thing to love
I've ever known
And now I'm here
And now it's gone
I guess I'm just waiting
For it to come back along
Aren't we over this by now?
I thought I'd finally figured it out
My friends tell me
That it was a real relationship
'Cause that's what I said it was
But how could it have been?
We were just kids
Trying to play pretend
At least you were
And I thought I could keep up
I thought it would be fun
But now I'm here
Feeling so dumb
CREDITS
Performer: Sarah X
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
What Life Hands Me
Talia Hayes
Verified Artist
Talia Hayes
Talia Hayes is a contemporary soul-pop artist whose warm, expressive vocals resonate with listeners seeking authenticity and emotional depth. With a knack for crafting reflective narratives, Talia's songwriting captures the essence of human experience, exploring themes of resilience, self-respect, and healing. Her latest track, "What Life Hands Me," delves into the pressures of modern life—touching upon money struggles while advocating for a gentle approach to life's challenges. This particular song showcases her ability to weave poignant stories that linger in the hearts of her audience.
Emerging from a background steeped in rich musical influences, Talia developed her sound in the intimate cafés and open mic nights of her hometown. It was there that she honed her craft, blending elements of soul and pop to create a style that feels both fresh and timeless. The understated production of her music allows her vibrant vocal identity to shine through, drawing listeners into an immersive experience that captivates without overwhelming.
As Talia continues to evolve as an artist, each new release promises to build on the themes she cherishes. With "What Life Hands Me" as a key piece in her catalog, listeners can expect more songs that invite them to embrace softness amidst life's trials. Talia Hayes stands as a beacon for those navigating their own journeys, reminding them that even in the face of adversity, there is beauty in vulnerability and strength in choice.
What Life Hands Me
Talia Hayes
Bills on the counter
Dreams on the line
Love came with lessons
I signed every time
I used to ask for reasons
Every time plans fell apart
Now I save my questions
For the rooms inside my heart
Some people came with flowers
Some came with unpaid pain
Some gave me a lesson
And never used my name
I had a younger version
Who wanted every door
Now I need less approval
And I sleep a little more
I do not call it failure
When I learn what I can hold
Some gold comes wrapped as pressure
Some truth arrives cold
I been down to my last dollar
Still made dinner for a friend
I been tired past the limit
Still got up again
I do not need a reason
For every turn I take
I just keep my balance
When the floor starts to shake
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I learned love can be simple
And still not be enough
I learned peace has a price tag
But so does holding up
My mama said be patient
My pride said be wise
My body knew the answer
Before I opened my eyes
I made friends with my limits
I made space for my needs
I stopped calling it selfish
When I wanted to breathe
I keep a little humor
For the hardest kind of day
If joy knocks once a month
I still let it stay
I been down to my last dollar
Still made dinner for a friend
I been tired past the limit
Still got up again
I do not need a reason
For every turn I take
I just keep my balance
When the floor starts to shake
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I do not owe the past
A seat beside my plate
I can love what happened
And still close that gate
I do not rush my healing
I do not fake my pace
I can carry history
Without wearing its face
I found grace after losing
I found room after no
I found out life keeps giving
When I let some things go
I take what life hands me
Sweet heavy real
Some days come easy
Some days make me feel
I bend I don’t break
I give I still choose
I lose what I outgrow
I win when I move
I take what life hands me
No perfect plan
I’m softer I’m stronger
I know where I stand
I take what life hands me
I know where I stand
I’m softer I’m stronger
I know where I stand
Bills on the counter
Dreams on the line
Life came with lessons
I signed every time
CREDITS
Performer: Talia Hayes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Life Feels Like Mor...
The Faded Ticket Booth
Verified Artist
The Faded Ticket Booth
The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.
They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.
Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.
Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.
Life Feels Like Morning
The Faded Ticket Booth
Sunlight pours like honey in my half-awake cup
Steps on the pavement keep lining me up
A soft little rhythm in the turn of the day
Like my heart learned the world had a kinder way
I don’t need a reason the reason found me
In the quiet of the doorway where the street meets the breeze
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
There’s a stray-cat freedom in the corner of the lane
Windows with stories I can’t quite explain
Paper ships in puddles sailing nowhere grand
But isn’t that a voyage when the map’s in your hand?
I don’t need a reason the reason found me
In the hush before the chorus where the skyline agrees
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
Maybe what we call “arrival” is just learning how to stand
Not to conquer every moment just to meet it where we land
Life feels like morning like chairs pulled out and waiting still
Love feels like timing like the echo of a windowsill
If the wind ever falters I’ll steady what I can
Life feels like morning… again and again
CREDITS
Performer: The Faded Ticket Booth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 /
00:00
Crossed Wires
Liora Penn
Verified Artist
Liora Penn
Liora Penn is a captivating UK garage pop singer whose music deftly combines crisp rhythmic delivery with an emotionally charged melodic style. Her approach to two-step grooves showcases a natural affinity for movement, inviting listeners to engage both physically and emotionally. With an emphasis on precise hooks, Liora crafts songs that resonate with a relatable authenticity, reflecting the complexities of modern relationships. This connection between her lyrics and the listener's personal experiences forms the backbone of her artistic identity.
Her standout track "Crossed Wires" epitomizes her signature sound, seamlessly blending dance, electronic, and pop elements into a bittersweet yet energetic offering. The playful undertones in her production enhance the emotional depth of her storytelling, inviting audiences to explore themes of love, miscommunication, and introspection. Liora's collaborative relationship with producer Hakan E. has further polished her contemporary sound, ensuring each release maintains a fresh and vibrant edge while anchoring it firmly within the UK garage pop landscape.
As Liora continues to evolve as an artist, her catalog promises to expand on the themes of connection and emotional honesty that define her work. By navigating the interplay between upbeat rhythms and more contemplative lyricism, she invites listeners into a world where every beat carries significance. Whether dancing in celebration or reflecting in stillness, fans find a piece of themselves within Liora's music, making her an essential voice in today's independent music scene.
Crossed Wires
Liora Penn
You call at two I miss by one
Two small signals come undone
Your name glows blue across my phone
I read it twice then walk back home
A simple word arrives too late
A second chance meets a closing gate
We keep our pride on separate lines
Then blame bad luck for broken signs
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
Your friends say wait mine say move
None of them can choose our truth
We trade three dots then let them fade
A tiny war that we both made
I know your habits you know mine
How we turn care to warning signs
So drop that script forget who wins
Let one good sentence pull us back again
One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice
Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
No coded phrase no careful pose
Say what hurts and what still grows
I can take an honest line
If you can take this heart of mine
Crossed wires crossed wires
Now we cut across that fire
You say stay I hear it right
We choose us and end this fight
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here
CREDITS
Performer: Liora Penn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.