Hailing from the vibrant streets of Toronto, Lora Kin is an energetic pop artist known for her confident and seductive vocal delivery. Drawing inspiration from the pulsating nightlife around her, she began crafting her signature sound during late-night writing sessions that often lasted until dawn. This eclectic backdrop informs her music, blending modern pop disco elements with catchy basslines, funky guitar riffs, and glittery production that exudes nightclub energy. Lora's catalog reflects a thematic consistency of empowerment and self-acceptance, beautifully showcased in tracks like "Pencil-Thin Skin," where she transforms vulnerability into strength.

Lora's artistry thrives on a playful yet assertive approach to songwriting. Her lyrics resonate with listeners who have faced challenges in relationships, capturing the essence of resilience and growth. The motifs of self-discovery and empowerment shine through her work, inviting audiences to join her on a journey of personal evolution. As she explores these themes with a groovy four-on-the-floor beat, Lora delivers anthems that are stylish and glamorous, marrying infectious melodies with uplifting messages.

With a growing catalog that includes tracks carefully designed to uplift and inspire, Lora Kin is carving out a distinct space in the pop landscape. Each song reflects both her struggles and triumphs, painting a vivid picture of a woman unafraid to embrace her identity. As she continues to solidify her presence within the industry, Lora's music promises to keep listeners engaged, dancing, and empowered—perfect for those nights when confidence reigns supreme.

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Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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Elias Crowe is an American singer-songwriter whose music lives somewhere between Latin blues, desert rock and roots Americana. Raised among the wide landscapes of the American Southwest, he developed a quiet fascination with stories of ordinary people, forgotten highways and the invisible weight carried through everyday life. Rather than chasing trends, Crowe built his sound around expressive guitar work, restrained vocals and songs that value silence as much as melody.

His recordings are known for their cinematic atmosphere, blending warm acoustic textures, soulful electric guitar and subtle Latin rhythms into music that feels timeless rather than nostalgic. Crowe rarely writes in absolutes. His lyrics explore redemption, memory, resilience and the fragile space between hope and regret, often using simple images to reveal deeper emotional truths. Listeners are drawn to the honesty of his performances, where every note feels lived rather than performed.

Although his style echoes the spirit of classic American roots music, Elias Crowe continues to shape a voice that is unmistakably his own. Whether performing intimate ballads or slow-burning rock songs, he favors authenticity over spectacle, allowing emotion, craftsmanship and atmosphere to lead every performance. His work has earned a loyal audience that values music not for its volume, but for its ability to linger long after the final chord has faded.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.

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Kai Spectrum is a wizard of the turntables, a maestro of the mixing decks, hailing straight from the vibrant music scene of Almanya. He's not your ordinary DJ, in fact, he may be the only one in history who'd dare to use 'various' and 'vocals' in the same sentence with nothing but charm. Often found nestled in his Almanya studio, Spectrum spends his days (and let's be honest, most of his nights) crafting pulsating beats solely for the ears of his loyal listeners on the enigmatic platform, filodyo.

One of Spectrum's most notable conquests in the music sphere is "With Whom I'm Meeting". A brainchild of Spectrum's unconventional brilliance, this track shows off his knack for layering unexpected vocals over his signature groovy beats. But much like the man himself, this song proves that there's more than meets the eye - or in this case, the ear. For those who listen closely, "With Whom I'm Meeting" whispers a tale of Spectrum's uncanny ability to blur the lines between the sonic and the narrative, making the audience question, just who are they meeting? Rest assured, dear reader, the answer will always be - the music, their own imagination, and the whimsical humor of Kai Spectrum.

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Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.

Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.

"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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