Brimming with techno energy and crispy beats, Sandra Johanson will make even the stiffest wallflower sway. She is not just your next-door DJ, but rather the queen of EDM who knows how to heal souls through rhythm.

With a backstory as intricate as her synth lines, Sandra hails from a tiny town in North Dakota, where cornfields outnumber dance clubs. Just when her life was about to be earmarked by an inevitable career in poultry farming, destiny gifted her an antique turntable. It's said that turkeys ran wild with delight in her mix of The Chicken Dance, and Sandra knew she had found her calling. Trading hens for headphones, she burst onto the underground scene with distinctive fresh sounds, uplifting energy, and a disquieting affinity for bird-themed track titles.

Over time, Sandra has built a loyal following with her spirited mixes. Her quintessential creation "My Soul Is Healed" masterfully marries muted basslines, playful rhythms, and ethereal vocals, delivering pure ecstasy to every dance floor it touches. A mash-up of disco, house and electronica elements, it sways, it soars, and it heals- just as the title promises.

Sandra Johanson is more than a name; she is your everyday superhero with a mixer, who graces the dance scene with joyous vibrance. Keeping it casual with a cap and oversized sweater, and a personality full of wit that shines brighter than any disco ball, Sandra highlights that happy beats don’t necessitate flashy clobbers and ostentatious attitudes. Just press play, let the groove take over, and feel your soul heal at the hands of this musical maestro.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

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Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.

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Turn up the volume, kids, 'cause we're about to delve into the sonic world of Junai Elen, the independent dance music artist with an unmistakably Eastern flare to her beats that'll have you both bobbing your head and searching for the meaning of life. With the name Elen bouncing off from the concrete heart of Tokyo, Japan, it's no surprise her sound is as energetically charged as the city's pulsating nightlife.

Junai exploded onto the indie dance scene like a sushi roll on a 5-alarm fire. Her tunes, a dynamite mix of insistent beats and whimsical lyrical narratives; imagine Walt Whitman having a dance-off with Avicii. The lighthearted "Wish You Well" is a prime cut of this intoxicating blend, a melodic chicane that leads you straight to Hope Avenue, her music's quintessential street.

Dont be fooled, Junai might not have the star-studded mansion or the paparazzi onslaught, yet. But she's sculpted a career from making her followers dance, dream and dare to hope through music. As unpredictable as Tokyo rush hour, and just as exhilarating, Junai Elen is the independent dance music artist who's whipping up a storm one beat at a time.

Get your smart shoes on and join Junai's journey. It's a ride interspersed with humor, your heart pounding to the beat, and at every turn, there's an insistent hopefulness that says, it's going to be okay. After all, you're in the party with Junai Elen - and she wishes you well.

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Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.

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Hailing from a quiet town in upstate New York, Miles Thorne is a soul artist with a voice that feels like a warm embrace on a cold night. Growing up in a family of classical musicians, Miles discovered his passion for storytelling through song at an early age. His sound blends the raw emotion of old-school soul with modern, minimalist production, creating a style that is both timeless and fresh.

Miles' debut single, "Bad Dreams," released under Filodyo Records, is a hauntingly beautiful ballad that explores the struggle of confronting inner fears while seeking redemption. With its poignant lyrics and his signature smooth, raspy vocal tone, the track quickly garnered attention, earning spots on several editorial playlists and praise from indie and soul music critics alike.

Drawing inspiration from legends like Bill Withers and James Blake, Miles crafts music that feels deeply personal, yet universally relatable. When he's not in the studio, you can find him performing in intimate venues across New York City, his magnetic stage presence captivating audiences night after night.

As he prepares for the release of his debut EP, Miles Thorne is undoubtedly carving out a space for himself as one of the most compelling new voices in the soul genre.

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Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

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Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.

Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.

Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.

Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.

Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.

With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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