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HOT TRACK
Keep the Receipt, S...
Dust Motel
Verified Artist
Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.
They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.
Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Keep the Receipt, Sweetheart
Dust Motel
You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band
Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened
You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared
Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”
You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”
No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet
I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense
Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else
Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”
Almost true almost true
Look at you improving
“Need a bag?”
“No he came with one”
CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I Heard The News
Reynix Heartfeld
I Heard The News
Reynix Heartfeld
CREDITS
Performer: Reynix Heartfeld
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Iron Veins
Basement Synth
Iron Veins
Basement Synth
CREDITS
Performer: Basement Synth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still I Rise
Luna y Fuego
Verified Artist
Luna y Fuego
Luna y Fuego is a Miami-born singer and songwriter whose music carries the warmth of the Caribbean, the elegance of Latin romance, and the confidence of modern pop. With a voice that can feel intimate one moment and commanding the next, she creates songs filled with desire, movement, and emotional detail.
Raised between seaside afternoons, family celebrations, and Miami’s multicultural music scene, Luna developed a sound shaped by Latin pop, R&B, bolero, and contemporary dance production. Her performances balance sophistication with natural sensuality, presenting a woman who is magnetic without ever appearing forced.
The name Luna y Fuego reflects the two sides of her character: calm, mysterious, and graceful, yet passionate and impossible to ignore. Whether performing a delicate love song or an energetic late-night track, she brings the same signature quality—romance with confidence, delivered entirely on her own terms.
Still I Rise
Luna y Fuego
The wind has names I’ve learned to fear
But I keep walking year by year
I’ve held my heart with stitched-up hands
Buried truths in foreign lands
Danced alone on broken stone
And built a fire where none had grown
They said I’m done they closed the door
But I’ve been dying long before
Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise
I’ve kissed betrayal’s bitter breath
Slept beside the arms of death
But sorrow taught me how to spin
A rhythm born from deep within
I don’t need a crown of gold
I wear my silence loud and bold
Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise
Don’t tell me how the story ends
I write in steps not with a pen
And every scar I’ve come to own
Beats louder than your stepping stone
Still I rise through thunder and cries
My tears are sharp but they never lie
You can leave you can hide
But I’ve got rhythm on my side
Still I rise… still I rise
CREDITS
Performer: Luna y Fuego
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Refraction Loop
Nova and Zehn
Refraction Loop
Nova and Zehn
CREDITS
Performer: Nova and Zehn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Paper Cup Summer
Mirov Saint
Verified Artist
Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.
This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?
Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.
So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Paper Cup Summer
Mirov Saint
You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more
And I know I know
It was never clean
But your name
Still shakes the seams
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"
And I know I know
We were shaking hard
Two wild hearts
In a borrowed car
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise
Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade
CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Left Me Dancing
Velvet Tax
Verified Artist
Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.
Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.
As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Left Me Dancing
Velvet Tax
You left me crying
But I came back dancing
Mm
I came back dancing
You took the keys
But not the door
You took your coat
But not the storm
I kept the dress
You never liked
Put on my heels
And killed the lights
You thought I’d call
You thought I’d break
You thought my heart
Would learn your name
But I found myself
At half past two
In a crowded room
Not missing you
I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming
You were the lesson
I was the flame
You left the woman
But she changed her name
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I saw your friends
They looked surprised
Like I should hide
Like I should cry
I smiled so sweet
They looked away
I guess revenge
Can wear a face
No angry texts
No midnight scene
No begging you
To come to me
I changed the song
I changed the room
I changed the girl
Who waited for you
I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread
You were the reason
I hit the ground
But I’m the reason
I’m rising now
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing
I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command
I don’t hate you
That’s too easy
I don’t need you
That’s the twist
I don’t want you
To come save me
I just want you
To see this
You left me lonely
Left me hurting
Left me standing in the rain
Now I’m moving
Now I’m burning
Now I’m dancing through the pain
You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me
You left me crying
But I came back dancing
You left me dying
But I came back dancing
You left me lonely
But I came back shining
You left me broken
But I came back diamond
You left me crying
But I came back dancing
Da-da-da-dancing
I came back dancing
CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Radio Trottoir
No Be Me
Verified Artist
No Be Me
No Be Me is an Afro-pop collective built around rhythm, mischief and stories that travel faster than facts. Their songs follow barbers, drivers, aunties, shopkeepers and accidental witnesses through everyday neighbourhood dramas, turning overheard remarks into sharp, danceable narratives. Led by a warm male storyteller and supported by four tightly arranged studio voices, the group blends Afrobeats percussion, highlife guitar, elastic bass and dry humour without relying on spectacle.
Their first single, “Radio Trottoir,” introduces a world where one careless “maybe” can acquire a wedding date, two witnesses and a catering budget before lunchtime. No Be Me treat gossip as social choreography: funny, dangerous, generous and impossible to control. Their music is polished but human, playful without becoming novelty, and rooted in the idea that the best stories rarely belong to the person who started them.
Radio Trottoir
No Be Me
Eight-oh-five by Saint Michel
Kola had a cake box under one arm
one red shoe in the other hand
He said “My aunt turns sixty”
I heard “aunt” “cake” and “Saturday”
and supplied the missing cinema myself
At Idris’ barbershop I said
“Maybe the man is getting married”
Idris did not repeat my sentence
He gave it catering witnesses
and a cousin arriving from Marseille
with three phones and firm opinions
By nine-fifteen the taxi rank knew the venue
By ten the tailor had chosen gold
By eleven Auntie Binta had named two children
Kola was still looking for candles
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
At one he had married the mayor’s niece
At two he had bought a flat in Lisbon
At three he had left her for a singer
whose name nobody could pronounce
At four the church committee wanted answers
about a generator no one had lost
At five I tried to stop the story
That became “He knows more than he is saying”
At six my mother called me:
“Wear something decent
Apparently you are giving the speech
And bring your own chair”
I found Kola beside the pharmacy
still carrying the same red shoe
The cake was for Aunt Mariam
The shoe had fallen from her shopping bag
He stared at me for seven quiet seconds
then asked who I planned to marry
I laughed exactly once
That was my second mistake
Who told you?
No be me
Who confirmed it?
Nobody
Radio trottoir radio trottoir
one little “maybe” took a motorbike
Dem don carry am go dem don add pepper
by lunch that man was married twice
I went home to hide from the bulletin
My neighbour had prepared rice
My sister said a woman named Celeste
had accepted me on my behalf
Who is Celeste? Nobody knows
She may be a dentist
She may be in Dakar
She may have started at Idris’ second chair
My mother likes her already
She says Celeste sounds responsible
There are now two cakes in the kitchen
Neither one belongs to Kola
Wetin happen?
Ask the barber
Who start am?
No be me
Where proof dey?
It left by taxi
Can you stop am?
You fit try
Radio trottoir radio trottoir
no antenna no editor no brakes
By sunset Kola ran the ministry
by midnight I was cutting a second cake
Radio trottoir radio trottoir
every correction opens another branch
I only said “Maybe he is getting married”
Now Celeste is discussing curtains with my aunt
Kola brought the candles
My mother served the rice
Idris arrived with invitations
No be me
CREDITS
Performer: No Be Me
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Transmission Null
Qore and Vynn
Transmission Null
Qore and Vynn
CREDITS
Performer: Qore and Vynn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Disco Machiavelli (...
Herr Casino
Verified Artist
Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.
Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Disco Machiavelli (ft Miss Voltage)
Herr Casino
Ladies and gentlemen
From Vienna to Miami
From the palace to the party
They call him
Disco Machiavelli
Not a prince
Not a saint
Just trouble in a velvet jacket
He walks in late with a golden cane
White silk shirt and a champagne stain
Everybody knows but nobody tells
He buys bad luck and sells it well
Midnight phone no caller ID
Three black cars on a one-way street
He says “my dear don’t follow the rules”
Then disappears by the swimming pool
He’s got the city on a string
He makes the mirror wanna sing
Too much charm too much heat
Dancing like a scandal in the street
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Machiavelli
Machiavelli
Nicht so schnell mein Freund
She met him once at the Hotel Noir
Red wine smile and a stolen car
He said “love is politics darling you’ll see”
Then left her name on the balcony
Velvet gloves dangerous plans
Kissing rings on invisible hands
He don’t dance he negotiates
With the DJ and the city gates
He’s got the night under control
Silver shoes and a borrowed soul
Too much style too much speed
Living like the headline of the week
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Signorina
Listen carefully
Power is a dance floor
And everybody pays entry
He said it with a smile
Then he vanished in the bassline
Machiavelli
Machiavelli
Dance with the devil
But dress like heaven
Machiavelli
Machiavelli
Too much drama
Too much leather
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Disco Machiavelli
Oh-oh he’s ready
Velvet panic
Television confetti
Disco Machiavelli
Ciao baby ciao
He was here for a minute
He’s a legend now
From Vienna to Miami
From the palace to the party
Disco Machiavelli
Ciao baby ciao
CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Lovish
DJ Allen
CREDITS
Performer: DJ Allen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.