Bad At Fractions

00:00 / 00:00

Bad At Fractions
Ayvenn

Ayvenn

Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

Track(s)
Bad At Fractions	2890	03:41
All for One Y.	924	04:18

Bad At Fractions

Ayvenn

You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Still Holding On
6 Brokens

6 Brokens

6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.

Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.

What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.

Track(s)
Still Holding On	346	02:41

Still Holding On

6 Brokens

Morning hits the window late
Coffee’s cold but I feel awake
Your name’s still on my playlist
Didn’t mute it didn’t break it

I learned how silence sounds
When you’re not around
But it’s lighter than I thought
Guess I figured something out

I don’t need a sign tonight
No big speech no rewrite
Just walking straight ahead
With the things you never said

I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on

I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned

City moves at normal speed
People laughing next to me
Nothing feels dramatic now
And that’s what I like about it somehow

Your jacket’s gone I kept the time
Not the fights not the lines
I don’t miss the way we broke
Just the jokes we never wrote

No more circling the same streets
No reruns in my head this week
I’m not running I’m not late
Just finally on my way

I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on

I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned

If you ever wonder how I’ve been
I sleep fine I breathe fine
I learned how to let things end
Without losing who’s inside

I don’t need a brand new heart
No repair kit no fresh start
It’s been tested it’s been tried
Still alive on the inside

I don’t need to change the past
Just move forward slow and fast
I’m okay where I stand
Yeah I’m better than I planned

Better than I planned
Still here still me
Yeah I’m better than I planned

CREDITS
Performer: 6 Brokens
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Don’t Say Maybe
Hexlayer

Don’t Say Maybe

Hexlayer

Look me in the eyes
Don’t say maybe

We move in circles
You draw the line
But I step over
Every time

Don’t say
Don’t say
Maybe

Don’t—don’t—maybe—no—
Say—say—say yes—

You hesitate
But I don’t wait
Your rules bend
When I press play

No—no—no maybe
Say—say—say yes

You had your chance

CREDITS
Performer: Hexlayer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Things I Never Said
Bruno Galvez

Bruno Galvez

Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

Track(s)
Silbando Tu Nombre	1101	03:34
Things I Never Said	1094	03:48

Things I Never Said

Bruno Galvez

I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Guitar Break]

I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Instrumental Break]

There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left

[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said

CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Phase Meridian
Wires and Petals

Wires and Petals

Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

Track(s)
Waves Don’t Ask Why	377	03:44
Phase Meridian	1010	04:50

Phase Meridian

Wires and Petals

CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Lost in the Traces
Helena Joy Castillo

Helena Joy Castillo

Helena Joy Castillo, hailing from the vibrant city of Stockholm, has carved a niche for herself in the electronic music scene with her dynamic and emotive sound. Her latest track, "Lost in the Traces," showcases her ability to blend melancholy and upliftment through pulsating beats and atmospheric synths, inviting listeners into a world where searching and finding intertwine. With its melodic EDM essence, each piece in her catalog reflects a deep emotional core underscored by energetic rhythms. Tracks like "Echoes of Tomorrow" and "Veils of Light" further explore themes of introspection and resilience, often characterized by powerful drops that resonate long after the final note.

Her journey began in the local club scene, where Helena met like-minded musicians inspired by techno's roots and the energizing pulse of dance music. Together, they crafted a refreshing sound that fuses deep basslines with haunting vocals and rich piano arrangements. The synergy between her lyrics and production creates an immersive experience; every track is an invitation to feel and reflect. Helena's artistry is marked by a playful yet aggressive energy that captivates audiences, making her an essential voice in contemporary electronic music.

Track(s)
Lost in the Traces	663	05:22

Lost in the Traces

Helena Joy Castillo

Where do the rivers hide…
When the night divides?

I walk through the frames of a broken day
Colors dissolve but they point the way
Every shadow is a map I keep
Leading me back through the endless deep

I can feel it close and near
A fading sign but it’s still clear

I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name

The walls collapse but the ground still holds
Fragments of light in the dark unfold
Every distance is a thread to tie
Every horizon becomes the sky

I can feel it close and near
A fading sign but it’s still clear

I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name

Shadows move but I remain
Through the traces of your name

I’m lost in the traces drawn to the sound
I fall but the silence won’t keep me down
I’m lost in the traces finding the flame
Through ruins and whispers I call your name

Where do the rivers hide…
When the night divides?

CREDITS
Performer: Helena Joy Castillo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

No Tomorrow Needed
Roxelle

Roxelle

Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.

After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.

Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.

Track(s)
No Tomorrow Needed	640	03:18
Share This Energy	704	02:33

No Tomorrow Needed

Roxelle

Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose

Eyes follow motion not my name
I don’t repeat I don’t stay same

One step closer to the sound
I don’t wait I turn around

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line

Disco strings rise
Bass keeps talking
Hands in the air
No words just timing

Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay

Heat is building in the crowd
I don’t need to say it loud

Count it in feel it land
Everything is in my hands

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro

Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been

I don’t read the signs twice
I move once that’s my advice

If it feels right I don’t slow down
I let the night spin me around

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress

Crowd reacts I don’t chase
I just take up space

Hear my name inside the bass
I don’t rush I keep my pace

Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time

She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride

No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)

No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)

CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Fire In Our Eyes
Wyatt Blake

Wyatt Blake

Wyatt Blake is a bold new voice in New Country, blending heartfelt storytelling with the grit of heartland rock. With his deep, rugged vocals and a knack for turning simple moments into anthems, he captures the spirit of small-town dreams and the open road. Raised in Tennessee, Wyatt grew up surrounded by the echoes of old country records and the hum of engines rolling down backroads. His music reflects that journey—nostalgic, raw, and always searching for something just out of reach.

His breakout single, "Fire In Our Eye," is a powerful anthem about youth, hope, and the moments that shape us. Built on driving acoustic melodies and a steady beat, the song paints a picture of restless nights, burning ambition, and the realization that time moves faster than we ever expect. With lyrics that cut straight to the heart and a chorus built to be belted out under an open sky, "Fire In Our Eye" is already resonating with fans who know what it means to chase a feeling they can never quite hold onto.

Wyatt's music is a bridge between the past and present—honoring the classic country greats while pushing the genre forward with a fresh, unfiltered sound. Whether he’s singing about love, loss, or the miles left to go, one thing is certain: he’s got a story to tell, and the world is listening.

Wyatt Blake isn't just another country singer—he's a voice for those who still believe in chasing something bigger. 🚗🔥🎶

Track(s)
Fire In Our Eyes	829	03:36

Fire In Our Eyes

Wyatt Blake

Plastic rings and paper planes
Chasing stars with different names
Thought the world would stay so bright
Didn’t know we’d lose the light

Golden days they fade so fast
Running wild but it don’t last
Still I hear that distant call
Echoes bouncing off the walls

Back then we had fire in our eyes
Shooting high never questioning the sky
Didn’t see the cracks below
Now we’re dancing in the afterglow

Took a train to nowhere towns
Laughed so hard we spun around
Didn’t care what lay ahead
Now we chase what once was said

Golden days they fade so fast
Running wild but it don’t last
Still I hear that distant call
Echoes bouncing off the walls

Back then we had fire in our eyes
Shooting high never questioning the sky
Didn’t see the cracks below
Now we’re dancing in the afterglow

If I could touch the past somehow
I’d hold it tight I’d call it loud
But time don’t stop it moves right through
Leaves you chasing what you knew

Plastic rings and paper planes
Falling fast like summer rain
Close my eyes and see it all
A fading voice a childhood call

CREDITS
Performer: Wyatt Blake
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

No Exit Frequency
Zephyrix

No Exit Frequency

Zephyrix

CREDITS
Performer: Zephyrix
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Keep Me In That
Adam Lamo

Adam Lamo

Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.

Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.

Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.

Track(s)
Keep Me In That	322	02:48

Keep Me In That

Adam Lamo

Strangers in the backseat city hum’s a lullaby
Silhouettes in rearview glass fading with the sky
No confessions just the tension
Sipping on a moment we won’t define

And I pull the static closer
Your eyes say more than closure
Burning through the calm again—mmm ahh—yeah

We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state

Tuned to our own channel we’re no one's broadcast
We don't leave trails only moments that last
No compass no plans
Just two outliers with no demands

Every glitch is gold tonight
We’re wired for the fight or flight
Touch like gravity—hmm—aah—pulls me right

We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state

No rewind just loops we bend
Every second a means not the end
Not broken—just bent in rhythm

Hah—mm-mm—hah
Cold air warm static—
No words left just the habit

[Final Chorus]
We crash like it's art no frame can hold us
Running on fumes but the night still chose us
Pulse in sync no need for fate
Ooh—yeah keep me in that state
(Hey!) keep me in that—(uh!) state—woah

CREDITS
Performer: Adam Lamo
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Fragment Drift
KALLA

Fragment Drift

KALLA

CREDITS
Performer: KALLA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.