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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Truth Shouts Back
Arem Khenn
Verified Artist
Arem Khenn
Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.
Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.
Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.
Truth Shouts Back
Arem Khenn
Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide
Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?
I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake
I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design
Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?
If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls
Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you
Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too
Shout: Truth!
Shout: Fear!
Shout: Me!
I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists
They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud
I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase
I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave
If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet
Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight
I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too
Shout: Truth!
Shout: Pain!
Shout: Now!
If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me
Shout (whispered): Me
CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Play Me Like That
Kira Mavell
Verified Artist
Kira Mavell
Kira Mavell hails from a family steeped in musical tradition, where every gathering felt like an impromptu jam session rather than a set of lofty aspirations. Growing up surrounded by melodies, the young artist found herself at home with the rhythm, but it was her decision to step away from the familiar circle that illuminated her distinctive voice. Leaving behind the supportive dynamic of family performances allowed Kira to embrace a bold solo path, crafting songs that speak to both joy and introspection.
With tracks like "Play Me Like That," Kira masterfully intertwines playful melodies with vivid lyrical imagery, inviting listeners into a world where every glance and beat feels electric. Her vibrant pop sound is infused with a happiness that resonates deeply, striking a balance between lightheartedness and poignant storytelling. The song captures moments of connection and flirtation, reflecting the excitement of falling in sync with someone special. Each note celebrates the thrill of living in the moment while hinting at deeper emotions just beneath the surface.
Based in Toronto, Kira has begun to carve out her niche within the local music scene, captivating audiences through small venues and intimate settings. Her recent performances at spots like The Drake Hotel have garnered her a loyal following, eager for more of the infectious energy she brings to the stage. As she continues to develop her catalog, songs like "Play Me Like That" serve as perfect stepping stones, showcasing her growth as an artist poised for greater adventures ahead.
Play Me Like That
Kira Mavell
"Silver on my steps rhythm on my skin"
"Doors don’t open for me — they give in"
I see you trying hard just to keep control
But the rhythm pulls you in takes your body whole
Every look you send feels like a coded sign
I can feel you matching up with my borderline
You want a taste of the crown I wear
Come and follow the spark if you dare
I’m the rule that you can’t unlearn
Once you’re in there’s no return
Play me like that don’t hold back
I move with a beat that you can’t track
Turn me around I react
To the thrill that keeps us intact
Play me like that stay on beat
I rise when the crowd moves under my feet
If you want me take the lead
Show me just how deep you can compete
Your confidence is loud but I’m louder still
You’re steady on the surface but I break your will
Glitter on my skin yeah it’s part of the game
When I own the moment you remember my name
You want a taste of the crown I wear
Come and follow the spark if you dare
I’m the rule that you can’t unlearn
Once you’re in there’s no return
Play me like that don’t hold back
I move with a beat that you can’t track
Turn me around I react
To the thrill that keeps us intact
Play me like that stay on beat
I rise when the crowd moves under my feet
If you want me take the lead
Show me just how deep you can compete
Step in bass low let me draw the line
You’re a headline moment I’m the underline
Got a pulse in my chest that syncs with yours
Every move you make rewrites the score
I’m not here to pretend I’m here to claim
You carry that fire I match the flame
Your confidence hits like a sudden break
Got me hooked on every step you take
Slide through the crowd like you’re meant to reign
I’m reading your style like a coded chain
If you want a partner that can match your spark
I’m the one who turns your mark to art
So spin it twist it give me that cue
I can take the lead or follow you
Either way you move I move right back
You hit the groove — I hit the track
No hesitation no rewind
Just two bodies in perfect design
If you want the highlight of your night
Follow me and you’ll get it right
Play me like that don’t hold back
I move with a beat that you can’t track
Turn me around I react
To the thrill that keeps us intact
Play me like that stay on beat
I rise when the crowd moves under my feet
If you want me take the lead
Show me just how deep you can compete
Play me like that… play me like that
You know I like it when you push right back
CREDITS
Performer: Kira Mavell
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wannabe Off
Lily Green
Verified Artist
Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.
Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.
Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.
Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Wannabe Off
Lily Green
We could be from anywhere
But I want the right approach
Could be what you never thought
Could be what you thought the most
I could use a dinner date
I wanna eat you raw
Now take a look at me
Tell me what you saw
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
Could share with me a memory
Or win me a teddy bear
Could you be something I can't be
Or something we all were
(Could be) It's not you
It's me
Or maybe it's him
But don't believe anything
If it goes on a whim
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
A manatee
Amnesty
Deodorant
Detorant
Casanova
Castanova
Here's another
Here's another
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Thirteenth Reflection
Pulse Noire
Thirteenth Reflection
Pulse Noire
CREDITS
Performer: Pulse Noire
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call My Name
Sofia Lindqvist
Verified Artist
Sofia Lindqvist
Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.
Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.
However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."
Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.
Call My Name
Sofia Lindqvist
Sailing faraway
Like a memory
It's time for me to go home
The tides are calling my name
Call my name
This note in my bottle
Hopefully into the hands of someone like you
You'll find it in tomorrow
And call my name
Call my name
Call my name
A message from the past
A writer unable to gasp
The words they had left undeclared
So cruel and unfair
The audience hears
The struggling echoes
It travels through
Whichever city you are
Just so you'll hear
You called my name
You called my name
You called my name
You
This note in my bottle
These words will enlighten you
And once that the time is for you
It's time for you to go home
The tides are calling your name
Call my name
Call my name
CREDITS
Performer: Sofia Lindqvist
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Life Feels Like Mor...
The Faded Ticket Booth
Verified Artist
The Faded Ticket Booth
The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.
They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.
Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.
Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.
Life Feels Like Morning
The Faded Ticket Booth
Sunlight pours like honey in my half-awake cup
Steps on the pavement keep lining me up
A soft little rhythm in the turn of the day
Like my heart learned the world had a kinder way
I don’t need a reason the reason found me
In the quiet of the doorway where the street meets the breeze
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
There’s a stray-cat freedom in the corner of the lane
Windows with stories I can’t quite explain
Paper ships in puddles sailing nowhere grand
But isn’t that a voyage when the map’s in your hand?
I don’t need a reason the reason found me
In the hush before the chorus where the skyline agrees
Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again
Maybe what we call “arrival” is just learning how to stand
Not to conquer every moment just to meet it where we land
Life feels like morning like chairs pulled out and waiting still
Love feels like timing like the echo of a windowsill
If the wind ever falters I’ll steady what I can
Life feels like morning… again and again
CREDITS
Performer: The Faded Ticket Booth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pulse of Light
Sentraflux
Pulse of Light
Sentraflux
Time stands still in the quiet of your name
I search for you inside the flame
Your voice a light I couldn’t tame
But still I follow just the same
Take me back to the silence
Where stars once knew my face
Your shadow’s gone
But the warmth still holds its place
I rise I fall I feel it all
The beat the pulse the siren call
Through night and sky I hear your soul
Calling me home… making me whole
Calling me home
Calling me home
CREDITS
Performer: Sentraflux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Last Signal
Haeun Department
Last Signal
Haeun Department
Title: 마지막 신호
[Cold Open]
속도를 조금 올려
말없이 웃어 줘
오늘만은 멀리 가자
아무도 모르는 곳
[Hook A]
Drive it slow then faster
너와 나의 작은 fever
손끝보다 먼저 알아
지금 우린 달라
[Verse A]
창문 너머 번지는 길
내 마음도 같이 흔들려
아무 말도 하지 않아도
너는 이미 알고 있어
불안했던 하루 끝에
너의 웃음이 들어와
차갑게 굳은 내 표정도
조금씩 풀리고 있어
[Lift]
너무 빠른 세상 속에
우린 잠깐 멈춰 서
서두르지 않아도 돼
이미 충분히 가까워
[Main Hook]
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
숨이 차도 괜찮아
오늘은 멈추고 싶지 않아
Drive through the city
너와 나 no limit
기분은 더 깊이
이 밤에 새겨지지
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
말하지 못한 마음까지
속도 위에 실어 가
[Verse B]
가끔 나는 너무 조용해
마음 숨기는 법만 배워
괜찮다는 말 뒤에서
혼자 오래 버텼어
근데 너는 이상하게
내가 나를 보게 해
흔들리는 이 순간도
나쁘지 않게 느껴져
[Rap Break]
핸들은 가볍게
생각은 깊게
너의 한마디에
내 하루가 쉽게
풀려 천천히
번져 조용히
멋진 척 안 해도
너는 다 보지
속도는 올라가
심장은 따라가
선은 지켜 but tonight
기분은 날아가
No loud talk
No fake smile
너랑 있으면
I’m alive for a while
[Hook B]
Drive it slow then faster
너와 나의 작은 fever
눈빛보다 먼저 알아
지금 우린 달라
[Middle 8]
이 길 끝에 뭐가 있든
지금은 묻지 않을래
돌아갈 곳이 있어도
조금 더 있고 싶어
너도 같은 생각이면
고개만 끄덕여 줘
그거면 돼
그거면 돼
[Final Hook]
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
숨이 차도 괜찮아
오늘은 멈추고 싶지 않아
Drive through the city
너와 나 no limit
기분은 더 깊이
이 밤에 새겨지지
마지막 신호가 바뀌면
우리 둘은 더 멀리 가
말하지 못한 마음까지
속도 위에 실어 가
속도를 조금 낮춰
이 순간을 남겨 둬
오늘 밤이 지나가도
나는 잊지 않을 거야
CREDITS
Performer: Haeun Department
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire in the Open Air
James Rolly
Verified Artist
James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.
It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”
By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.
Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Fire in the Open Air
James Rolly
I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”
But I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand
And I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
And I move…
I move with the rhythm
CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: notFM — notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.