Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.

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Soleil Vega is the kind of artist who can turn a rainy Tuesday into a rooftop party. Born and raised in Brighton, UK, she grew up surrounded by her mother’s old soul records and the pulse of the underground dance scene. Her music lives at the intersection of deep house grooves, pop sparkle, and feel-good R&B touches, driven by radiant vocals and unapologetically joyful lyrics.

Her breakout track “My Kitchen Stage” is a celebration of everyday magic—the kind you find dancing alone at home with a spatula mic in hand. The track blends warm house rhythms with bouncy basslines and a shimmering vocal delivery that makes you want to throw open the windows and turn the volume all the way up. It’s infectious, playful, and deeply personal.

Soleil’s sound is sun-kissed but grounded. She writes about friendship, late-night cravings, heartbreak, and finding your light—in the club, in the kitchen, or in your own reflection. And when she performs, it’s not a show, it’s a shared moment. Always real, always radiant.

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Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

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New York is the incubator of many dreamers, and for one Lena Wilder, it proved to be the perfect breeding ground. Lena wasn't always in the limelight; she was just another New Yorker making a living as a sales assistant in one of the city's bustling clothing stores. As she tended to racks of distressed denim and oversize knits, she wore her dreams like her favorite band tees - close to her heart but visible for the world to see. Little did her customers know that they were interacting with a voice that would someday weave an influential part of their city's sonic fabric. After all, the Big Apple isn't shy about tucking its future stars behind a discount rack, now is it?

Once her work shift ended, Lena would swap her clothing tag gun for a guitar pick and the sales floor for a stage, performing at local venues as a side gig. Here, she felt at home, strumming her guitar under the dim hue of stage lights, her soulful voice permeating the evening air with songs straight from the heart. One of her most notable songs being "No Right Time," which came as a result of a humorous debate with an ex-lover about the "right time" to eat a breakfast burrito (spoiler alert: Lena thinks it's anytime!). This feel-good declaration of burrito sovereignty soon became an anthem for heartache, nostalgia, and the taste of freedom, encapsulating her music's raw essence, which is a delicate balance between heartwarming relatability and the gritty reality.

Through all these, Lena Wilder has managed to remain notoriously elusive behind a veil of unassuming simplicity. She reminds us that the artist's journey isn't found in shiny CDs or platinum records, but in those quiet moments behind a store counter, under a spotlight in a dimly lit bar, or even in an argument over a breakfast burrito. Because in the end, the right time to chase your dreams – just like eating a breakfast burrito – is anytime!

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Helena Joy Castillo, hailing from the vibrant city of Stockholm, has carved a niche for herself in the electronic music scene with her dynamic and emotive sound. Her latest track, "Lost in the Traces," showcases her ability to blend melancholy and upliftment through pulsating beats and atmospheric synths, inviting listeners into a world where searching and finding intertwine. With its melodic EDM essence, each piece in her catalog reflects a deep emotional core underscored by energetic rhythms. Tracks like "Echoes of Tomorrow" and "Veils of Light" further explore themes of introspection and resilience, often characterized by powerful drops that resonate long after the final note.

Her journey began in the local club scene, where Helena met like-minded musicians inspired by techno's roots and the energizing pulse of dance music. Together, they crafted a refreshing sound that fuses deep basslines with haunting vocals and rich piano arrangements. The synergy between her lyrics and production creates an immersive experience; every track is an invitation to feel and reflect. Helena's artistry is marked by a playful yet aggressive energy that captivates audiences, making her an essential voice in contemporary electronic music.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

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